The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Tag: Irish Poetry
Seamus Heaney, from “Crossings”
The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Seamus Heaney, from “Settings”
The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Seamus Heaney, from “Lightenings”
The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Seamus Heaney, “The Strand at Lough Beg” (An Elegy from the Troubles)
Seamus Heaney, “The Strand at Lough Beg” In Memory of Colum McCartney All round this little island, on the strand Far down below there, where the breakers strive Grow the tall rushes from the oozy sand. – Dante, Purgatorio, I, 100-3 Leaving the white glow of filling stations And a few lonely streetlamps among fields…
Eavan Boland, “The Mother Tongue”
Eavan Boland, “The Mother Tongue” The old pale ditch can still be seen less than half a mile from my house – its ancient barrier of mud and brambles which mireth next unto Irishmen is now a mere rise of coarse grass, a rowan tree and some thinned-out spruce, where a child is playing at…
Seamus Heaney’s “Beowulf”
From the end of Seamus Heaney’s translation of Beowulf, here is an immense mourning for a person and a civilization, the sound of all of society at war: The Geat people built a pyre for Beowulf, stacked and decked it until it stood four-square, hung with helmets, heavy war-shields and shining armour, just as he…
W. B. Yeats, “Meru”
W. B. Yeats, “Meru” Civilisation is hooped together, broughtUnder a rule, under the semblance of peaceBy manifold illusion; but man’s life is thought,And he, despite his terror, cannot ceaseRavening through century after century,Ravening, raging, and uprooting that he may comeInto the desolation of reality:Egypt and Greece, good-bye, and good-bye, Rome!Hermits upon Mount Meru or Everest,Caverned…
Heaney Comes to Poetry
Here are some of Seamus Heaney’s memories of reading, writing, and poetry, from earliest schooldays to university, all taken from Dennis O’Driscoll’s wonderful book-length interview with him, Stepping Stones. Yes, my memory of learning to read goes back to my first days in Anahorish School, the charts for the letters, the big-lettered reading books. But…
Heaney on Writing
Here’s Seamus Heaney talking about writing, from Dennis O’Driscoll’s book-length interview with him, Stepping Stones: On Inspiration On the week in May 1969 when he wrote “about forty poems”: It was a visitation, an onset, and as such, powerfully confirming. This you felt, was “it.” You had been initiated into the order of the inspired….