Poetry, History, Mythology
Back when I used to do a lot of readings, I would start out by sharing somebody else’s work, and I realize that I should do the equivalent of that with the release of my book of stories, The Lonely Young & the Lonely Old. The person that comes to mind is the late William … Continue reading Speaking of Short Stories
A young Seamus Heaney recalls a blacksmith from his boyhood, while a much older Seamus Heaney illustrates the sometimes excessive power of retributive force (he says he was inspired by the U. S. military response to 9/11) by the swinging of a sledgehammer. The Forge All I know is a door into the … Continue reading “All I know is a door into the dark”: 2 Poems by Seamus Heaney
While always a political poet in some way, Yeats shows at the end of his life where his priorities were, essentially with love & the occult. & amazing too to see how his use of rhyme, which went from the glittering ornamentation of his youth to the simplicity of these poems, is always stunning: … Continue reading “The harlot and the child”: 2 Late Poems from W. B. Yeats
Here are some bits from Kafka’s Diaries, trying & failing to harmonize his writing life with his family and work life. All writers have been to some version of this, but few things are as heartbreaking as reading Kafka’s version of it. The first entry is one of the few moments of real elation he … Continue reading The Poet Speaks #14: Kafka Tries Again & Again
Here’s the twenty-third psalm of American poetry, & the place where Wallace Stevens brought so much of his complexity (despite his usual high-falutin title) to a stunning simplicity. It’s also a great love poem: Final Soliloquy of the Interior Paramour Light the first light of evening, as in a room In which we rest … Continue reading Wallace Stevens, “Final Soliloquy of the Interior Paramour”
Even though I’ve never read a word of his poetry, John Berryman has been haunting me lately. Two friends who are also poets that I admire deeply have both praised his work, and recently I’ve come across remarks from a handful of Berryman’s peers, reflecting on his life and his suicide in 1972. Here are … Continue reading The Poet Speaks #13: Richard Wilbur & John Berryman: “The artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him”
I’m stunned every time I read this: one of Wordsworth’s best short poems (& that’s saying something), & perhaps one of the great poems period: St. Paul’s Pressed with conflicting thoughts of love and fear I parted from thee, Friend! and took my way Through the great City, pacing with an eye Downcast, ear sleeping, … Continue reading Wordsworth & Eternity at St. Paul’s
If the Negro, or any other writer, is going to do what is expected of him, he’s lost the battle before the takes the field. I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance – but it must be acceptance on his own terms. Perhaps, … Continue reading The Poet Speaks #12: Ralph Ellison, Anthony Burgess, James Dickey
George Eliot, on empathy: The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies…. Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot. The only effect I … Continue reading The Poet Speaks #11: George Eliot, Ernest Hemingway, Philip Levine, Stephen King, Seamus Heaney: “struggling erring human creatures”
A random scattering, some barely aphorisms, from the first two volumes of the notebooks of Albert Camus. They are gold: One must not cut oneself off from the world. No one who lives in the sunlight makes a failure of his life. My whole effort, whatever the situation, misfortune or disillusion, must be to make … Continue reading The Poet Speaks #10: Albert Camus: “Dissolve in love”
On the supposed “difficulty” of his poetry: We are difficult. Human beings are difficult. We’re difficult to ourselves, we’re difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most “intellectual” piece of work. … Continue reading The Poet Speaks #9: Geoffrey Hill, Robert Frost, Allen Ginsberg, James Merrill, Ursula K. Le Guin: “We are difficult”
As even “nerd culture” and all the rest just becomes another snobby fad and pop culture corner to hide in, Patti Smith suggests where the real “next” actually is, out of view completely:…when people ask me Who’s the new people?, well to me the new people are the unknown people. The new people that I … Continue reading The Poet Speaks #8: Patti Smith, Toni Morrison, T. S. Eliot, Hart Crane: “I shall make every sacrifice toward that end”
On why he turned from more specialized to more popular writing on science and culture: Because of that [the use of scientific knowledge in the making of atomic bombs] I wanted to be sure that what I had to say would not be confined to a small circle of specialists but would touch people where … Continue reading The Poet Speaks #7: Bronowski, Bloom, Munro, Gilbert, Trevor
One of the many preludes to the great Irish epic, The Táin: What caused the two pig-keepers to quarrel? It is soon told. There was bad blood between Ochall Ochne, the king of the síd in Connacht, and Bodb, king of the Munster síd. (Bodb’s síd is the “Síd ar Femen,” the síd on Femen … Continue reading The Great Myths #13: The Two Men Who Became Bulls (Irish)
A recent article tells the astonishing story about theatre majors who were unable to act out flirting: “Accustomed to soliciting one another via text, and more used to hookups than dates, this verb was no longer a touchstone for college students, and ‘flirting’ did not elicit any specific physical or emotional behaviors (sustained eye contact, … Continue reading Early Yeats (12 Poems)
Here’s a nice anecdote told twice, first from some anonymous Irish source, and then Seamus Heaney’s version of it in verse. This was the first poem of Heaney’s I ever saw, back in high school when someone showed me the New York Times, perhaps when his book Seeing Things was reviewed there, or when he’d … Continue reading Ship in Air
Here is W. B. Yeats, remembering some of his adult experiences with the occult and supernatural. All taken from his The Trembling of the Veil, collected in Autobiographies: When staying with Hyde in Roscommon, I had driven over to Lough Kay, hoping to find some local memory of the old story of Tumaus Costello, which … Continue reading Yeats Comes to the Occult
Here’s W. B. Yeats recalling his earliest experiences of poetry: ….This may have come from the stable-boy, for he was my principal friend. He had a book of Orange rhymes, and the days when we read them together in the hay-loft gave me the pleasure of rhyme for the first time. Later on I can … Continue reading Yeats Discovers Poetry
Here’s Seamus Heaney talking about writing, from Dennis O’Driscoll’s book-length interview with him, Stepping Stones: On Inspiration On the week in May 1969 when he wrote “about forty poems”: It was a visitation, an onset, and as such, powerfully confirming. This you felt, was “it.” You had been initiated into the order of the inspired. … Continue reading Heaney on Writing
From that greatest of literary biographies, Richard Ellmann’s James Joyce, here is the account of Joyce meeting Marcel Proust, only a few months before Proust’s death: On May 18, 1922, Sydney Schiff (“Stephen Hudson”), the English novelist whom Joyce had met a few times, invited him to a supper party for Stravinsky and Diaghilev following … Continue reading Joyce & Proust Meet
(photo from the LG/WBY Heritage Trail) In the single-volume Autobiographies of W. B. Yeats, which collects all of Yeats’s autobiographical writings from throughout his life, the great Irish poet mentions the memoirs of one John O’Leary. O’Leary was apparently taking his good old time at it, writing “passages for his memoirs upon postcards and odd … Continue reading Yeats & Lady Gregory
Too much to choose from, but here’s some classic bits from James Joyce that are always worth keeping in mind: On Writing: “Don’t you think there is a certain resemblance between the mystery of the Mass and what I am trying to do? I mean that I am trying in my poems to give people … Continue reading Classic Joyce
