Edgar Lee Masters (1868-1950) One way to understand where poetry is now is to see where it was a hundred years ago. Every Wednesday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Edgar Lee Masters at Wiki, […]
Carl Sandburg, “Chicago” Hog Butcher for the World, Tool Maker, Stacker of Wheat, Player with Railroads and the Nation’s Freight Handler; Stormy, husky, brawling, City of the Big Shoulders: They tell me you are wicked and I believe them, for I have seen your painted women under the gas lamps luring the farm boys. And they tell me you are […]
Louis MacNeice (1907-1963) One way to understand where poetry is now is to see where it was a hundred years ago. Every Wednesday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Louis MacNeice at Wiki, Poetry Foundation […]
Amy Lowell, “Lilacs” Lilacs, False blue, White, Purple, Color of lilac, Your great puffs of flowers Are everywhere in this my New England. Among your heart-shaped leaves Orange orioles hop like music-box birds and sing Their little weak soft songs; In the crooks of your branches The bright eyes of song sparrows sitting on spotted eggs Peer restlessly through the […]
Edith Wharton, “Terminus” Wonderful was the long secret night you gave me, my Lover, Palm to palm, breast to breast in the gloom. The faint red lamp Flushing with magical shadows the common-place room of the inn, With its dull impersonal furniture, kindled a mystic flame In the heart of the swinging mirror, the glass that has seen Faces innumerous […]
T. S. Eliot (1888-1965) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. T. S. Eliot at tseliot.com, […]
I’m stunned every time I read this: one of Wordsworth’s best short poems (& that’s saying something), & perhaps one of the great poems period: St. Paul’s Pressed with conflicting thoughts of love and fear I parted from thee, Friend! and took my way Through the great City, pacing with an eye Downcast, ear sleeping, and feet masterless That were […]
Picasso’s Blue Period–or basically anything he did before Cubism–has always struck me as more powerful than anything he did later, which seems mostly theoretical playing. Not that I think somebody as vast as Picasso could stay in one phase forever (I’ve asked before what a genius is supposed to do when they’re almost too good.) Works like Guernica and his […]
from 21 Love Poems: 1 Whenever in this city, screens flicker with pornography, with science-fiction vampires, victimized hirelings bending to the lash, we also have to walk . . . if simply as we walk through the rainsoaked garbage, the tabloid cruelties of our own neighborhoods. We need to grasp our lives inseparable from those rancid dreams, that blurt of […]
R. S. Thomas (1913-2000) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. R. S. Thomas at Wiki, […]
Back in the late nineties when a place called Borders Outlet still existed and Amazon was only a few years old, that was about the only store I could find – and afford – to buy brand new poetry books by that elusive species, The Poet Who Wasn’t Long Dead. One of these was Laurie Sheck’s 1996 collection The Willow […]
Bobby Delano The labor to breathe that younger, rawer air: St. Mark’s last football game with Groton lost on the ice-crust, the sunlight gilding the golden polo coats of boys with country seats on the Upper Hudson. Why does that stale light stay? First Form hazing, first day being sent on errands by an oldboy, Bobby Delano, cousin of Franklin […]
VERNON WATKINS (1906-1967) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Vernon Watkins at Wiki, Poetry Foundation […]
C. DAY-LEWIS (1904-1972) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. C. Day-Lewis at Wiki, Poetry Foundation […]
Many thanks to Sarah Law at Amethyst Review, who just published my poem “Mr Cassian’s 54th Dream.” You can read the poem here, and listen to a reading of it below: The poem is part of a larger collection of poetry and fiction called School of Night. You can find other pieces from the book here.
It’s been said of Picasso: “At the age of sixteen, he produced two paintings which were of academic perfection…. So what do you do with your life if you’re producing academically perfect works at the age of sixteen? Every step afterwards is an innovation.” Indeed, whether you like where Picasso went or not, it’s undeniable that he never stopped moving. […]
from Peter Ackroyd, at the end of his first volume of the history of England: Other forms of continuity are also evident. Modern roads follow the line of old paths and trackways. The boundaries of many contemporary parishes follow previous patterns of settlement, along which ancient burials are still to be found. Our distant ancestors are still around us. There […]
From Oswald Spengler’s Decline of the West, published just over a century ago. Our bad relationship with information and disinformation didn’t start with cable news or Twitter: … Man does not speak to man; the press and its associate, the electrical news-service, keep the waking-consciousness of whole peoples and continents under a deafening drum-fire of theses, catchwords, standpoints, scenes, feelings, […]
from the introduction to her Selected Stories: I did not “choose” to write short stories. I hoped to write novels. When you are responsible for running a house and taking care of small children, particularly in the days before disposable diapers or ubiquitous automatic washing machines, it’s hard to arrange for large chunks of time. A child’s illness, relatives […]
A random scattering, some barely aphorisms, from the first two volumes of the notebooks of Albert Camus. They are gold: One must not cut oneself off from the world. No one who lives in the sunlight makes a failure of his life. My whole effort, whatever the situation, misfortune or disillusion, must be to make contact again. But even within […]
I’m not sure who the equivalent is for you, but Albert Camus was one of the first authors I found outside of Stephen King and Dean Koontz. The high school teacher who introduced me to him also laid an egg it took years to get over: the apparently insurmountable gulf between “popular” and “serious” literature. Even more than other […]
from Peter Ackroyd, at the end of his first volume on the history of England: When we look over the course of human affairs we are more likely than not to find only error and confusion. I have already explained, in the course of this narrative, that the writing of history is often another way of defining chaos. There is […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Chomei at Toyama (Kamo-no-Chomei, born at Kamo 1154, […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Song of a Man who has Come […]
from “Clearances” When all the others were away at Mass I was all hers as we peeled potatoes. They broke the silence, let fall one by one Like solder weeping off the soldering iron: Cold comforts set between us, things to share Gleaming in a bucket of clean water. And again let fall. Little pleasant splashes From each other’s work […]
from John Richardson’s biography of Picasso: When questioned much later about his earliest sexual experience, Picasso claimed that his sex life had started very early on: “Yes,” he says smiling, with a sparkle in his eye, “I was still quite small”—and he indicated a diminutive height wit his hand. “Obviously I didn’t wait for the age of reason. If I […]
My Mother’s Sister I see her against the pearl sky of Dublin Before the turn of the century, a young woman With all those brothers and sisters, green eyes, hair She could sit on; for high life, a meandering sermon (Church of Ireland) each Sunday, window-shopping In Dawson Street, picnics at Killiney and Howth … To know so little about […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Way Through the Woods They shut the […]
Here are a few dozen faces I always go back to, from the collection of Greek & Roman sculpture I was lucky enough to at the National Archaeology Museum in Athens, back in 2007:
The environment in which some of humanity’s first–and still best–works of art, in the cave of Lascaux nearly thirty thousand years ago, is described here by Randall White: Plant materials, especially wood, would have been important fuel for cooking, heating, and light. Again, the excellent preservation at Lascaux indicates that certain species of trees and shrubs were sought, especially […]
from Steven Mithen’s The Prehistory of the Mind: The evolution of bipedalism had begun by 3.5 million years ago. Evidence for this is found in the anatomy of A. afarensis, and, more dramatically, by the line of australopithecine footprints preserved at Laetoli in Tanzania. The most likely selective pressure causing the evolution of bipedalism was the thermal stress suffered by […]
A drawing from 2015 that I suddenly found again today:
When, in 1522, Martin Luther agreed to a staged kidnapping that would keep him safe from Catholic and other authorities, he soon found himself out of danger, but also bored to tears. Hiding out in castle called the Wartburg, near Eisenach, he soon admitted, “I sit here idle and drunk all day long.” Thomas Cahill picks up the story: …this […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Microcosmos The brown-faced nurse has murmured something unintelligible […]
Among the earliest photos taken of Paris were those of Eugène Atget, beginning in the late 1800s. Here is only a sample:
I first came across Claude Lorrain’s fantasies of classical Greece and Rome on the cover of an old paperback of the Aeneid. These are my favorites, but there are many more of them here. Click on each image to enlarge:
It’s too bad Nicholas Poussin’s Shepherds of Arcady/Et in Arcadia (Even in Arcadia, there am I) can’t get much attention except as a link to the Holy Blood-Holy Grail/Dan Brown stories. It’s magnificent enough on its own. You can also read more about it, including the conspiracy stuff, here. Click on the painting to enlarge:
from Thomas Cahill’s Heretics and Heroes: In a collection of travel essays published in 1925, Aldous Huxley had called Piero [della Francesca’s] Resurrection, the fresco that decorates the Museo Civico of Sansepolcro, “the greatest picture in the world.” In the last days of World War II, as British soldiers began shelling Nazi-occupied Sansepolcro with the intention of reducing it to […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Insensibility I Happy are men who yet before […]
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each image to enlarge, or watch the video:
Click on the image to enlarge, or watch the video:
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. It’s nearly impossible to choose only twelve or so […]
One of the great jazz standards of Medieval & Renaissance art, here’s only a selection of all the depictions of St. Jerome: studying indoors or out, with or without his lion or skull, probably translating the Bible as he goes, reading or writing always. All a good excuse for artists to place him in contemporary landscapes, or familiar book-lined rooms. […]
The way I heard it, Salvador Dali saw a reproduction of Millet’s Angelus in his classroom during childhood, and it became one of his great personal images: Jean-Francois Millet – The Angelus (1857-1859) Salvador Dali – Archeological Reminiscence of Millet’s Angelus (1935) Salvador Dali – Atavism of Twilight (1933-1934) Salvador Dali – Gala and The Angelus of Millet Before the […]
At an antique store a few years ago, I spent $10 on an envelope of old photos. I love to imagine their stories, and thought others might too. And perhaps someone out there knows them? Click on the slideshow to begin:
Read the other Great Myths here Then spoke Gangleri: “Where is the chief center or holy place of the gods?” High replied: “It is at the ash Yggdrasil. There the gods must hold their courts each day.” Then spoke Gangleri: “What is there to tell about that place?” Then said Just-as-high: “The ash is of all trees […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. John Squire’s poem about the appalling conditions of the […]
The French painter and model Victorine Meurent (1844-1927) appears in some of the most famous of Édouard Manet’s paintings. Click on each to enlarge:
The number of Rembrandt’s self-portraits alone far outnumber the entire output of many artists. Here is only a fraction of them, but watch him grow up, change, and emerge with many moods. Click on each to enlarge:
Read the other Great Myths here The Prose Edda, one of the greatest sources for Norse mythology, begins with the following simple frame story: a king named Gylfi is tricked out of a good deal of his land, and he goes to the home of the gods to question them. His questions, and the answers he receives, constitute a […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. As the Team’s Head-Brass As the team’s head-brass flashed […]
Scroll through this selection of preliminary studies & photos of the canvas as it was worked on & completed. Pretty astonishing, & all done in about five weeks.
Read the other Great Myths here As the compiler of this myth notes: “The Orpheus myth is also popular among North American Indian tribes, especially in the western and eastern parts of the continent.” A Tachi had a fine wife who died and was buried. Her husband went to her grave and dug a hole near it. There he stayed […]
The artist Marc Chagall, meeting his wife Bella Rosenfeld in 1909; they were together for the next 35 years: I am at Thea’s, lying on the sofa in the consulting room of her father, a physician. I liked to stretch out that way near the window on that sofa covered with a black horsehair cloth, worn, with holes in […]
Read the other Great Myths here Long ago the slaughter-gods were eating their hunting-prey in the mood for a drink, before they were full; they shook the sticks and looked at the lots: they learned that at Ægir’s was a fine crop of cauldrons. The cliff-dweller [Ægir] sat there, child-cheerful, much like Miskorblindi’s boy; the son of Dread [Thor], defiant, […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Here, with Laurence Binyon’s “Hunger,” is the first […]
from a 2006 interview: “… television began in 1948, really, and Popular Culture just grew and grew and grew and grew, and by the time I was in college, or in graduate school at the University of Chicago, David Riesman was there, and he was writing The Lonely Crowd, you remember. And I used to go to his classes and […]
A wonderful paragraph from Peter Ackroyd’s biography of William Blake, where he shows how the poet slowly came to accept that if he was writing for anyone other than himself, it was for posterity; and how he charged ahead nevertheless: His independence meant that he could preserve his vision beyond all taint—and that integrity is an essential aspect of his […]
A piece of the beginning and end of The Hero with a Thousand Faces: Whether we listen with aloof amusement to the dreamlike mumbo jumbo of some red-eyed witch doctor of the Congo, or read with cultivated rapture thin translations from the sonnets of the mystic Lao-tse; now and again crack the hard nutshell of an argument of Aquinas, or […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Rat “That woman there is almost dead, Her […]
Here are two passages from Beethoven’s life. The first finds him on his deathbed, and is recorded in the memoirs of one of his friends. Beset by his final illness, the composer is rejuvenated for the last time by an astounding gift: the complete scores George Frederic Handel. The fact that Beethoven, so close to death, could still express an […]
“Out, Out – ” The buzz saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw snarled and rattled, snarled and […]
Daedalus & Icarus The old craftsman came to Cumae after a long life of art and flight, love and theft, came alone to the Sibyl’s Italian shore wasted with age and reputation to the one who knew every alphabet, the seeress who saw the future in driven leaves: and warped with the same old age as him, she asked that […]
Unfinished Michelangelo The impossible bodies of apostles, messiahs and slaves, statues that couldn’t have stood had he finished them, faces half buried in membranes of marble that threaten to swallow and take them back; bodies climbing without hands or feet or legs out of the mineral morass in the great struggle for birth: a nearly headless body, torso only, drowning […]
Six Young Men The celluloid of a photograph holds them well – Six young men, familiar to their friends. Four decades that have faded and ochre-tinged This photograph have not wrinkled the faces or the hands. Though their cocked hats are not now fashionable, Their shoes shine. One imparts an intimate smile, One chews a grass, one lowers his eyes, […]
Emily Dickinson, #975 The Mountain sat upon the Plain In his tremendous Chair – His observation omnifold, His inquest, everywhere – The Seasons played around his knees Like Children round a sire – Grandfather of the Days is He Of Dawn, the Ancestor – Wallace Stevens, “How to Live. What to Do” Last evening the moon rose above this rock […]
#1142 The Props assist the House Until the House is built And then the Props withdraw And adequate, erect, The House support itself And cease to recollect The Augur and the Carpenter – Just such a retrospect Hath the perfected Life – A Past of Plank and Nail And slowness – then the scaffolds drop Affirming it a Soul –
The force that through the green fuse drives the flower The force that through the green fuse drives the flower Drives my green age; that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever. The force that drives the water through the rocks […]
Paterson What do I want in these rooms papered with visions of money? How much can I make by cutting my hair? If I put new heels on my shoes, bathe my body reeking of masturbation and sweat, layer upon layer of excrement dried in employment bureaus, magazine hallways, statistical cubicles, factory stairways, cloakrooms of the smiling gods of psychiatry; […]
“Out, Out – ” The buzz saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw snarled and rattled, snarled and […]
My Grandmother’s Love Letters There are no stars tonight But those of memory. Yet how much room for memory there is In the loose girdle of soft rain. There is even room enough For the letters of my mother’s mother, Elizabeth, That have been pressed so long Into a corner of the roof That they are brown and soft, And […]
After finishing To the House of the Sun, a poem mostly reliant on translations of ancient poetry (and in some ways the book now feels like something I translated), I had to find my way back to English poetry. One way was through the Penguin anthologies of Renaissance, Metaphysical, Romantic and Victorian poetry. They included all the expected gems, as […]
Here are some bits from Kafka’s Diaries, trying & failing to harmonize his writing life with his family and work life. All writers have been to some version of this, but few things are as heartbreaking as reading Kafka’s version of it. The first entry is one of the few moments of real elation he was able to document, one […]
Even though I’ve never read a word of his poetry, John Berryman has been haunting me lately. Two friends who are also poets that I admire deeply have both praised his work, and recently I’ve come across remarks from a handful of Berryman’s peers, reflecting on his life and his suicide in 1972. Here are two quotes, the first from […]
If the Negro, or any other writer, is going to do what is expected of him, he’s lost the battle before the takes the field. I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance – but it must be acceptance on his own terms. Perhaps, though, this thing cuts both […]
George Eliot, on empathy: The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies…. Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot. The only effect I ardently long to produce by […]
On the supposed “difficulty” of his poetry: We are difficult. Human beings are difficult. We’re difficult to ourselves, we’re difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most “intellectual” piece of work. Why is it believed that […]
As even “nerd culture” and all the rest just becomes another snobby fad and pop culture corner to hide in, Patti Smith suggests where the real “next” actually is, out of view completely:…when people ask me Who’s the new people?, well to me the new people are the unknown people. The new people that I embrace are the people that […]
On why he turned from more specialized to more popular writing on science and culture: Because of that [the use of scientific knowledge in the making of atomic bombs] I wanted to be sure that what I had to say would not be confined to a small circle of specialists but would touch people where their humanity and their knowledge […]
Some great quotes from W. B. Yeats and William Blake, chosen almost at random from two good biographies of them; there are no doubt thousands more, & should you have other favorites, do add them in the comments: From a young W. B. Yeats: …my ever multiplying boxes of unsaleable MSS – work too strange at one moment and too […]
On why he wrote about animals so much: I suppose because they were there at the beginning. Like parents. Since I spent my first seventeen or eighteen years constantly thinking about them more or less, they became a language – a symbolic language which is also the language of my whole life. It was not something I began to learn […]
Flannery O’Connor responds to questions from academics and their students about her short stories: Week before last I went to Wesleyan and read “A Good Man is Hard to Find.” After it I went to one of the classes where I was asked questions. There were a couple of young teachers there and one of them, an earnest type, started […]
Should anyone tell you that the primary duty of art (and of life) is to be political, to constantly choose sides and to turn one another into mere categories and the most minute identities, here are a few replies by Jean Guéhenno, written while living in Nazi-Occupied Paris. All come from his Diary of the Dark Years: December 23, 1940 […]
Advice to aspiring poets: If you can, get out. Everything else in the world pays better. Everything else in the world costs less, not only in terms of money but in terms of damage to your life. Everything else in the world is more justly rewarded. If you can be happy doing something else, the chances are you will be […]
Quotes from all over on art & creativity: [Leonardo] was always less concerned with the finishing of a picture than with its conception. His ideal would consist of imagining the picture and getting someone else to paint it: invention was what mattered most to him. Painting was above all “a thing of the mind.” As he clearly put it, “To […]
A new series of quotes from everywhere on writing and creativity: I was in the Navy, and I worked at a shore station in New York. Late in ’44, I was assigned to CINPAC – the Commander-in-Chief Pacific Ocean – at Pearl Harbor, and when that command moved to the Marianas, to Guam, I went along on staff, to do […]
