The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Tag: Creative Writing
Seamus Heaney, from “Crossings”
The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Seamus Heaney, from “Settings”
The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
Seamus Heaney, from “Lightenings”
The center of Seeing Things—and perhaps the very center of his poetry, and maybe even his greatest achievement—is the sequence called “Squarings,” which consists of forty-eight twelve-line poems. He never wrote about nature, history, myth, other poets, or his own rural upbringing so well. This week I will post my favorite poems from each of…
H. D., “Oread”
H. D., “Oread” Whirl up, sea –whirl your pointed pines,splash your great pineson our rocks,hurl your green over us,cover us with your pools of fir.
H. D., “Orchard”
H. D., “Orchard” I saw the first pearas it fell –the honey-seeking, golden-banded,the yellow swarmwas not more fleet than I,(spare us from loveliness)and I fell prostratecrying:you have flayed uswith your blossoms,spare us the beautyof fruit-trees. The honey-seekingpaused not,the air thundered their song,and I alone was prostrate. O rough-hewngod of the orchard,I bring you an offering…
Amy Lowell, “Thompson’s Lunch Room—Grand Central Station”
Amy Lowell, “Thompson’s Lunch Room—Grand Central Station” STUDY IN WHITES Wax-white—Floor, ceiling, walls.Ivory shadowsOver the pavementPolished to cream surfacesBy constant sweeping.The big room is coloured like the petalsOf a great magnolia,And has a patinaOf flower bloomWhich makes it shine dimlyUnder the electric lamps.Chairs are ranged in rowsLike sepia seedsWaiting fulfilment.The chalk-white spot of a cook’s…
Amy Lowell, “The Pike”
Amy Lowell, “The Pike” In the brown water,Thick and silver-sheened in the sunshine,Liquid and cool in the shade of the reeds,A pike dozed.Lost among the shadows of stemsHe lay unnoticed.Suddenly he flicked his tail,And a green-and-copper brightnessRan under the water. Out from under the reedsCame the olive-green light,And orange flashed upThrough the sun-thickened water.So the…
Charles Reznikoff, “Millinery District”
Charles Reznikoff, “Millinery District” The clouds, piled in rows like merchandise, become dark; lights are lit in the lofts; the milliners, tacking bright flowers on straw shapes, say, glancing out of the windows; It is going to snow; and soon they hear the snow scratching the panes. By night it is high on the sills….
Delmore Schwartz, “The Heavy Bear Who Goes With Me”
Delmore Schwartz, “The Heavy Bear Who Goes With Me” “the withness of the body” The heavy bear who goes with me, A manifold honey to smear his face, Clumsy and lumbering here and there, The central ton of every place, The hungry beating brutish one In love with candy, anger, and sleep, Crazy factotum, dishevelling…
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