Back when my long Civil War poem To the House of the Sun first came out in 2015, I sent a copy to somebody that’s pretty well-known in the field—if a field it is—of those who popularize mythology, on TV and elsewhere. (If I say much more somebody might figure out who I mean, and that’s not what I mean […]
Walt Whitman, early 1863, looking on the Civil War dead: A Sight in Camp in the Daybreak Gray and Dim A sight in camp in the daybreak gray and dim, As from my tent I emerge so early sleepless, As slow I walk in the cool fresh air the path near by the hospital tent, Three forms I see on […]
autographed copies of To the House of the Sun are always available directly from the publisher at 40% off (includes shipping), by clicking here SELRES_1bdcfa3c-300a-48ef-b10e-893100acd61SELRES_1bdcfa3c-300a-48ef-b10e-893100acd& the mountain I ascended came from heaven: & the rock I walked on broke away once long ago from the vault of heaven— & so as I walked, I was walking on heaven: & […]
& once in Chattanooga, a vision comes: & he sits there stunned among them: & he watches as families eat & drink or just laugh, as if life lasts forever—& then half drop off & disappear: he sees two men in front of a store, & then only one: two women at laundry or two slaves in the street or […]
The historian, medievalist, and poet Jeff Sypeck has just published the most thorough review yet of my long poem, To the House of the Sun. The highlights are pasted below, but I encourage anyone to read the entire review here. And while you’re there, check out the rest of his blog, where he writes about other long poems, and all things medieval. Autographed copies of the book are still available here at a steep discount; simply choose the seller S4N Books. *** […] Tim Miller has joined a select group of quirky poets who feel called to contend with a neglected form, the book-length narrative poem, and what he does with it is brilliant. […] To the House of the Sun evokes millennia of faith, storytelling, and scholarship simply by committing to its orthography: from its first lines, it looks like the typed-up notes of a young scholar seized by inspiration as he transcribes and translates a cryptic inscription. Look closer, though, to see the designs of a careful poet: these lines mark where the singer’s words intersect time; alliteration evokes a sense of place (“the sands of Savannah facing the sea”); and psalmic repetition gives them incantatory power, affirming poetry’s roots in enchantment. This could be Gilgamesh, King David, or Hildegard of Bingen, and Miller honors that ageless mysticism here. To the House of the Sun sounds and feels like an ancient text, layered with fragments of sources and traditions, a […]
