Poetry, Religion, History and Art
You can subscribe to my podcast here. Six Young Men The celluloid of a photograph holds them well – Six young men, familiar to their friends. Four decades that have faded and ochre-tinged This photograph have not wrinkled the faces or the hands. Though their cocked hats are not now fashionable, Their shoes shine. One […]
Thom Gunn, “On the Move” “Man, you gotta Go.” The blue jay scuffling in the bushes follows Some hidden purpose, and the gust of birds That spurts across the field, the wheeling swallows, Has nested in the trees and undergrowth. Seeking their instinct, or their poise, or both, One moves with an uncertain violence Under […]
Thom Gunn, “No Speech from the Scaffold” There will be no speech from the scaffold, the scene must be its own commentary. The glossy chipped surface of the block is like something for kitchen use. And the masked man with his chopper: we know him: he works in a warehouse nearby. Last, the prisoner, he […]
Ted Hughes – “Crow’s Song about God” Somebody is sittingUnder the gatepost of heavenUnder the lintelOn which are written the words: “Forbidden to the living.”A knot of eyes, eyeholes, lifeless, in the life-shapeA rooty old oak-stump, aground in the oozeOf some putrid estuary,Snaggy with amputations,His fingernails broken and bitten,His hair vestigial and purposeless, his toenails […]
Sea Iris I Weed, moss-weed, root tangled in sand, sea-iris, brittle flower, one petal like a shell is broken, and you print a shadow like a thin twig. Fortunate one, scented and stinging, rigid myrrh-bud, camphor-flower, sweet and salt – you are wind in our nostrils. II Do the murex-fishers drench you as they pass? […]
Ezra Pound, “Portrait d’une Femme” Your mind and you are our Sargasso Sea, London has swept about you this score years And bright ships left you this or that in fee: Ideas, old gossip, oddments of all things, Strange spars of knowledge and dimmed wares of price. Great minds have sought you – lacking someone […]
Louis MacNeice (1907-1963) One way to understand where poetry is now is to see where it was a hundred years ago. Every Wednesday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Louis […]
“Death, be not proud” Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou think’st thou dost overthrow Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be, Much pleasure; then from thee much more […]
Stevie Smith (1902-1971) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Stevie […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Chomei at Toyama […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Song of […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Way Through […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Insensibility I Happy […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. John Squire’s poem about […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. As the Team’s Head-Brass […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Here, with Laurence […]
A wonderful paragraph from Peter Ackroyd’s biography of William Blake, where he shows how the poet slowly came to accept that if he was writing for anyone other than himself, it was for posterity; and how he charged ahead nevertheless: His independence meant that he could preserve his vision beyond all taint—and that integrity is […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Rat “That woman […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. “Loveliest of trees, […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. And it’s worth […]
Strange to find a Hughes poem more populated by people than animals; & you can tell he’s not happy about it: Devon Riviera Under the silk nightie of the August evening The prepared resort, a glowing liner, Leans toward happiness, unmoving. The whole vessel throbs with dewy longing. Grey, dazed heads, promenading their pots, Their […]
Here is a favorite bit from a youthful T. S. Eliot (he’s just turned thirty but that’s young to me now). After leaving America for England and abandoning the job at Harvard his family was expecting of him, he made an unfortunate marriage and started a literary life of day job, essays and reviews. He […]
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Here’s an essay on how it came to be written: The poems of Bone Antler Stone go way back, as a book about ancient history […]
Six Young Men The celluloid of a photograph holds them well – Six young men, familiar to their friends. Four decades that have faded and ochre-tinged This photograph have not wrinkled the faces or the hands. Though their cocked hats are not now fashionable, Their shoes shine. One imparts an intimate smile, One chews a […]
The force that through the green fuse drives the flower The force that through the green fuse drives the flower Drives my green age; that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever. The force that drives […]
After finishing To the House of the Sun, a poem mostly reliant on translations of ancient poetry (and in some ways the book now feels like something I translated), I had to find my way back to English poetry. One way was through the Penguin anthologies of Renaissance, Metaphysical, Romantic and Victorian poetry. They included […]
A young Seamus Heaney recalls a blacksmith from his boyhood, while a much older Seamus Heaney illustrates the sometimes excessive power of retributive force (he says he was inspired by the U. S. military response to 9/11) by the swinging of a sledgehammer. The Forge All I know is a door into the dark,Outside, […]
Is there anything better than T. S. Eliot talking about his debt to Dante? Here is the majority of his famous essay “What Dante Means to Me” (hence my own “What Eliot Means to Me”), which can be found in his collection of essays, To Criticize the Critic and Other Writings. The essay was originally […]
Tim Miller 
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