T. S. Eliot, “Preludes” I The winter evening settles down With smell of steaks in passageways. Six o’clock. The burnt-out ends of smoky days. And now a gusty shower wraps The grimy scraps Of withered leaves about your feet And newspapers from vacant lots; The showers beat On broken blinds and chimney-pots, And at the corner of the street A […]
Thom Gunn, “On the Move” “Man, you gotta Go.” The blue jay scuffling in the bushes follows Some hidden purpose, and the gust of birds That spurts across the field, the wheeling swallows, Has nested in the trees and undergrowth. Seeking their instinct, or their poise, or both, One moves with an uncertain violence Under the dust thrown by a […]
Thom Gunn, “No Speech from the Scaffold” There will be no speech from the scaffold, the scene must be its own commentary. The glossy chipped surface of the block is like something for kitchen use. And the masked man with his chopper: we know him: he works in a warehouse nearby. Last, the prisoner, he is pale, he walks through […]
Ted Hughes – “Crow’s Song about God” Somebody is sittingUnder the gatepost of heavenUnder the lintelOn which are written the words: “Forbidden to the living.”A knot of eyes, eyeholes, lifeless, in the life-shapeA rooty old oak-stump, aground in the oozeOf some putrid estuary,Snaggy with amputations,His fingernails broken and bitten,His hair vestigial and purposeless, his toenails useless and deformed,His blood filtering […]
Sea Iris I Weed, moss-weed, root tangled in sand, sea-iris, brittle flower, one petal like a shell is broken, and you print a shadow like a thin twig. Fortunate one, scented and stinging, rigid myrrh-bud, camphor-flower, sweet and salt – you are wind in our nostrils. II Do the murex-fishers drench you as they pass? Do your roots drag up […]
Ezra Pound, “Portrait d’une Femme” Your mind and you are our Sargasso Sea, London has swept about you this score years And bright ships left you this or that in fee: Ideas, old gossip, oddments of all things, Strange spars of knowledge and dimmed wares of price. Great minds have sought you – lacking someone else. You have been second […]
Louis MacNeice (1907-1963) One way to understand where poetry is now is to see where it was a hundred years ago. Every Wednesday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Louis MacNeice at Wiki, Poetry Foundation […]
T. S. Eliot (1888-1965) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. T. S. Eliot at tseliot.com, […]
I’m stunned every time I read this: one of Wordsworth’s best short poems (& that’s saying something), & perhaps one of the great poems period: St. Paul’s Pressed with conflicting thoughts of love and fear I parted from thee, Friend! and took my way Through the great City, pacing with an eye Downcast, ear sleeping, and feet masterless That were […]
“Death, be not proud” Death, be not proud, though some have called thee Mighty and dreadful, for thou art not so; For those whom thou think’st thou dost overthrow Die not, poor Death, nor yet canst thou kill me. From rest and sleep, which but thy pictures be, Much pleasure; then from thee much more must flow, And soonest our […]
C. DAY-LEWIS (1904-1972) One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. C. Day-Lewis at Wiki, Poetry Foundation […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Chomei at Toyama (Kamo-no-Chomei, born at Kamo 1154, […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Song of a Man who has Come […]
My Mother’s Sister I see her against the pearl sky of Dublin Before the turn of the century, a young woman With all those brothers and sisters, green eyes, hair She could sit on; for high life, a meandering sermon (Church of Ireland) each Sunday, window-shopping In Dawson Street, picnics at Killiney and Howth … To know so little about […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Way Through the Woods They shut the […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Microcosmos The brown-faced nurse has murmured something unintelligible […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Insensibility I Happy are men who yet before […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. John Squire’s poem about the appalling conditions of the […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. As the Team’s Head-Brass As the team’s head-brass flashed […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Here, with Laurence Binyon’s “Hunger,” is the first […]
A wonderful paragraph from Peter Ackroyd’s biography of William Blake, where he shows how the poet slowly came to accept that if he was writing for anyone other than himself, it was for posterity; and how he charged ahead nevertheless: His independence meant that he could preserve his vision beyond all taint—and that integrity is an essential aspect of his […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. The Rat “That woman there is almost dead, Her […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. “Loveliest of trees, the cherry now” Loveliest of […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. And it’s worth asking, as I start with […]
St. Paul’s Pressed with conflicting thoughts of love and fear I parted from thee, Friend! and took my way Through the great City, pacing with an eye Downcast, ear sleeping, and feet masterless That were sufficient guide unto themselves, And step by step went pensively. Now, mark! Not how my trouble was entirely hushed, (That might not be) but how, […]
Strange to find a Hughes poem more populated by people than animals; & you can tell he’s not happy about it: Devon Riviera Under the silk nightie of the August evening The prepared resort, a glowing liner, Leans toward happiness, unmoving. The whole vessel throbs with dewy longing. Grey, dazed heads, promenading their pots, Their holiday shirts, their shrunk, freckled […]
Here is a favorite bit from a youthful T. S. Eliot (he’s just turned thirty but that’s young to me now). After leaving America for England and abandoning the job at Harvard his family was expecting of him, he made an unfortunate marriage and started a literary life of day job, essays and reviews. He eventually had enough essays for […]
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Below are readings of three of those poems, inspired by a tidal island, a museum, and a Viking cathedral on the island of Orkney, all combined with photos and videos […]
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Here’s an essay on how it came to be written: The poems of Bone Antler Stone go way back, as a book about ancient history probably should. My way in […]
Six Young Men The celluloid of a photograph holds them well – Six young men, familiar to their friends. Four decades that have faded and ochre-tinged This photograph have not wrinkled the faces or the hands. Though their cocked hats are not now fashionable, Their shoes shine. One imparts an intimate smile, One chews a grass, one lowers his eyes, […]
The force that through the green fuse drives the flower The force that through the green fuse drives the flower Drives my green age; that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever. The force that drives the water through the rocks […]
After finishing To the House of the Sun, a poem mostly reliant on translations of ancient poetry (and in some ways the book now feels like something I translated), I had to find my way back to English poetry. One way was through the Penguin anthologies of Renaissance, Metaphysical, Romantic and Victorian poetry. They included all the expected gems, as […]
Many thanks as always to David Cooke over at The High Window, who just published four new poems of mine in their spring issue, and are the last batch before The High Window Press brings out my entire collection of poems from ancient Europe, Bone Antler Stone. Please also consider following them on WordPress, Twitter, and Facebook, that’s how all the cool […]
A young Seamus Heaney recalls a blacksmith from his boyhood, while a much older Seamus Heaney illustrates the sometimes excessive power of retributive force (he says he was inspired by the U. S. military response to 9/11) by the swinging of a sledgehammer. The Forge All I know is a door into the dark, Outside, old axles and […]
Here are some bits from Kafka’s Diaries, trying & failing to harmonize his writing life with his family and work life. All writers have been to some version of this, but few things are as heartbreaking as reading Kafka’s version of it. The first entry is one of the few moments of real elation he was able to document, one […]
Even though I’ve never read a word of his poetry, John Berryman has been haunting me lately. Two friends who are also poets that I admire deeply have both praised his work, and recently I’ve come across remarks from a handful of Berryman’s peers, reflecting on his life and his suicide in 1972. Here are two quotes, the first from […]
If the Negro, or any other writer, is going to do what is expected of him, he’s lost the battle before the takes the field. I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance – but it must be acceptance on his own terms. Perhaps, though, this thing cuts both […]
George Eliot, on empathy: The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies…. Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot. The only effect I ardently long to produce by […]
On the supposed “difficulty” of his poetry: We are difficult. Human beings are difficult. We’re difficult to ourselves, we’re difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most “intellectual” piece of work. Why is it believed that […]
As even “nerd culture” and all the rest just becomes another snobby fad and pop culture corner to hide in, Patti Smith suggests where the real “next” actually is, out of view completely:…when people ask me Who’s the new people?, well to me the new people are the unknown people. The new people that I embrace are the people that […]
On why he turned from more specialized to more popular writing on science and culture: Because of that [the use of scientific knowledge in the making of atomic bombs] I wanted to be sure that what I had to say would not be confined to a small circle of specialists but would touch people where their humanity and their knowledge […]
Some great quotes from W. B. Yeats and William Blake, chosen almost at random from two good biographies of them; there are no doubt thousands more, & should you have other favorites, do add them in the comments: From a young W. B. Yeats: …my ever multiplying boxes of unsaleable MSS – work too strange at one moment and too […]
Many thanks to David Cooke at The High Window, who has published four of my poems here. I‘m also pleased to note that the post officially announces that the High Window Press will be publishing my full collection of poems from ancient Europe, Bone Antler Stone, later this year. The four poems posted today come from the end of that collection (and […]
On why he wrote about animals so much: I suppose because they were there at the beginning. Like parents. Since I spent my first seventeen or eighteen years constantly thinking about them more or less, they became a language – a symbolic language which is also the language of my whole life. It was not something I began to learn […]
Flannery O’Connor responds to questions from academics and their students about her short stories: Week before last I went to Wesleyan and read “A Good Man is Hard to Find.” After it I went to one of the classes where I was asked questions. There were a couple of young teachers there and one of them, an earnest type, started […]
Advice to aspiring poets: If you can, get out. Everything else in the world pays better. Everything else in the world costs less, not only in terms of money but in terms of damage to your life. Everything else in the world is more justly rewarded. If you can be happy doing something else, the chances are you will be […]
Quotes from all over on art & creativity: [Leonardo] was always less concerned with the finishing of a picture than with its conception. His ideal would consist of imagining the picture and getting someone else to paint it: invention was what mattered most to him. Painting was above all “a thing of the mind.” As he clearly put it, “To […]
A new series of quotes from everywhere on writing and creativity: I was in the Navy, and I worked at a shore station in New York. Late in ’44, I was assigned to CINPAC – the Commander-in-Chief Pacific Ocean – at Pearl Harbor, and when that command moved to the Marianas, to Guam, I went along on staff, to do […]
Is there anything better than T. S. Eliot talking about his debt to Dante? Here is the majority of his famous essay “What Dante Means to Me” (hence my own “What Eliot Means to Me”), which can be found in his collection of essays, To Criticize the Critic and Other Writings. The essay was originally presented as a speech given […]
