The artist Marc Chagall, meeting his wife Bella Rosenfeld in 1909; they were together for the next 35 years: I am at Thea’s, lying on the sofa in the consulting room of her father, a physician. I liked to stretch out that way near the window on that sofa covered with a black horsehair cloth, worn, with holes in […]
from Randall White’s Prehistoric Art: The best known of the statuettes from Brassempouy is the 25,000 year-old “dame à la capuche” (hooded lady), carved from the dense, homogenous interior core of a mammoth tusk. She was found immediately below a fireplace and was covered by a small limestone slab. Although she has frequently been imagined to be the broken-off head […]
from Steven Mithen’s The Prehistory of the Mind: This propensity to think of the natural world in social terms is perhaps most evident in the ubiquitous use of anthropomorphic thinking—attributing animals with humanlike minds. Consider the Inuit and the polar bear. This animal is highly sought after and is “killed with passion, butchered with care and eaten with delight.” But […]
If anyone asks you about the Why of art, especially in the face of atrocity or just its apparent impracticality—for the artist or the audience—this anecdote from Lawrence Weschler is about as good an answer as I know. I happened to be in The Hague a while back, sitting in on the preliminary hearings of the Yugoslav War Crimes […]
Three passages on prehistoric religion from the book Becoming Human: One of the pervasive themes of [this book] is that spirituality and materiality cannot be separated. The roots of religion are to be found in ritual practice. And ritual practice, as documented by the material record goes back before the Franco-Cantabrian “explosion”, back indeed before the Blombos engravings [70,000 […]
The archaeologist Jean Clottes writes that, besides the more famous paintings in the ice-age caves of France and Spain, it has also been observed that “various objects have been either deposited or stuck into cracks of the walls, or even stuck into the ground. Those apparently non-utilitarian gestures have been noticed from Asturias in Spain to Burgundy in France, from […]
from the book Becoming Human: Innovation in Prehistoric Material and Spiritual Culture: Caring for severely disabled members of the community must be one of the indicators of respect for the individual and for human life. It is clear that Neanderthals fed and looked after severely handicapped members of their communities who were too disabled to contribute to the food quest. […]
from two essays on the origins of the aesthetic impulse in Becoming Human: Innovation in Prehistoric Material and Spiritual Culture: The earliest current evidence for handaxes comes from West Turkana, Kenya, dated to 1.65 Mya [Million years ago]. Similar finds have been made at Konso, again in Ethiopia, dating to 1.5 Mya. These tools show both lateral and bifacial […]
From Walter Isaacson’s recent biography of da Vinci, here is about as concise and colorful a summary of how true genius can, in the same century and even the same city, manifest itself in entirely different ways: When Leonardo left Florence for Milan in 1482, Michelangelo was only seven years old. His father was a member of Florence’s minor nobility […]
Unfinished Michelangelo The impossible bodies of apostles, messiahs and slaves, statues that couldn’t have stood had he finished them, faces half buried in membranes of marble that threaten to swallow and take them back; bodies climbing without hands or feet or legs out of the mineral morass in the great struggle for birth: a nearly headless body, torso only, drowning […]
Here are two of my favorite poems from Bone Antler Stone: one on the famous ice age “Venus” figurines from 20-30,000 years ago, and another on a shipwreck from 1300 BC. You can order the entire collection here, or find more poems from the book here. Female Figurines for Evie Hum the words with me and you might understand: mammoth ivory, […]
Scroll through this selection of preliminary studies & photos of the canvas as it was worked on & completed. Pretty astonishing, & all done in about five weeks.
Taken from John Richardson’s biographies of Picasso:
The Austrian artist Egon Schiele’s bizarre and brutal self-portraits, many dating from before World War One, seem to presage all the carnage and atrocity and alienation that were to come. And even as the more famous artists from the period, and their perhaps “better” work still feels dated and rooted to the time they were created. Shiele seems like he […]
The way I heard it, Salvador Dali saw a reproduction of Millet’s The Angelus in his classroom during childhood, and it became one of his great personal images:
From childhood through old age:
Three different but marvelous ways of getting it done:
For anyone who has ever worked retail and customer service, you’ll recognize the look on the face of this barmaid from Édouard Manet’s A Bar at the Folies-Bergère:
Many thanks to the editors of Crannóg, who published my poem “Cauldron & Drink” in their most recent issue. It’s one of my favorites from my upcoming book of poems from old Europe. For readers outside of Ireland and the UK, I’ve pasted an image from the journal below, although I would encourage everyone to subscribe.
SAY IT WITH ME: THIS IS SATIRE! I’ve been silent long enough. When college students complained in 2015 that the Asian-themed food in their cafeteria was a mockery and appropriation of a grand culinary tradition, I said nothing. College students have no money after all, why should they complain about bad food, no matter its origin? For whatever reason, though, […]
Entries in the Anthology series organize my favorite anecdotes about artists, writers, and historical events, and are always being updated. While I love and depend on the exhaustive biography or study, in many ways the disconnected stories and fragments have been more important in my day-to-day living with art, literature and history. As such, nothing original is assumed here, and […]
Entries in the Anthology series organize my favorite anecdotes about artists, writers, and historical events, and are always being updated. While I love and depend on the exhaustive biography or study, in many ways the disconnected stories and fragments have been more important in my day-to-day living with art, literature and history. As such, nothing original is assumed here, and […]
