The environment in which some of humanity’s first–and still best–works of art, in the cave of Lascaux nearly thirty thousand years ago, is described here by Randall White: Plant materials, especially wood, would have been important fuel for cooking, heating, and light. Again, the excellent preservation at Lascaux indicates that certain species of trees and shrubs were sought, especially […]
from David Carr’s book on literacy and the creation of literature in the ancient world: … many ancient texts were not written in such a way that they could be read easily by someone who did not already known them well. Indeed, classicists long ago noted that the oldest Greek manuscripts, written as they are all in capitals and without […]
from Randall White’s Prehistoric Art: The best known of the statuettes from Brassempouy is the 25,000 year-old “dame à la capuche” (hooded lady), carved from the dense, homogenous interior core of a mammoth tusk. She was found immediately below a fireplace and was covered by a small limestone slab. Although she has frequently been imagined to be the broken-off head […]
From Steven Mithen’s Prehistory of the Mind: The anthropologist Robin Dunbar looked at the size of the brain of H. habilis [2.1 – 1.5 million years ago] from a very different perspective. Recall that we have already referred to his work regarding the relationship between brain size and group size—living within a larger group requires more brain-processing power to keep up […]
From Steven Mithen’s The Prehistory of the Mind: There is good circumstantial evidence that H. habilis [2.1 to 1.5 million years ago] would have been living in larger groups than his ancestors. If we again look at modern primates, there appear to be two ecological situations in which primates choose to live in larger groups, and suffer the accompanying social challenges. […]
from Steven Mithen’s The Prehistory of the Mind: This propensity to think of the natural world in social terms is perhaps most evident in the ubiquitous use of anthropomorphic thinking—attributing animals with humanlike minds. Consider the Inuit and the polar bear. This animal is highly sought after and is “killed with passion, butchered with care and eaten with delight.” But […]
I am always thrilled to reread these two passages by Erik Hornung, and to find in them just about the wisest things I’ve ever read about religion in general, and fundamentalism in particular. Although he hopefully assumes (the book was first published in 1971) that just because fundamentalism will become increasingly “inhuman” it will lose adherents, his words are still […]
Three passages on prehistoric religion from the book Becoming Human: One of the pervasive themes of [this book] is that spirituality and materiality cannot be separated. The roots of religion are to be found in ritual practice. And ritual practice, as documented by the material record goes back before the Franco-Cantabrian “explosion”, back indeed before the Blombos engravings [70,000 […]
The archaeologist Jean Clottes writes that, besides the more famous paintings in the ice-age caves of France and Spain, it has also been observed that “various objects have been either deposited or stuck into cracks of the walls, or even stuck into the ground. Those apparently non-utilitarian gestures have been noticed from Asturias in Spain to Burgundy in France, from […]
Our love for certain books or movies or pieces of music are so intense that we like to imagine our preference for them rises to the level of objectivity. The wonderfully grouchy critic Harold Bloom, for instance, praises the poetry of Hart Crane to no end; but, just as effusively, he can relate the memory of receiving Crane’s Collected Poems […]
Here are two of my favorite poems from Bone Antler Stone: one on the famous ice age “Venus” figurines from 20-30,000 years ago, and another on a shipwreck from 1300 BC. You can order the entire collection here, or find more poems from the book here. Female Figurines for Evie Hum the words with me and you might understand: mammoth ivory, […]
CAULDRON & DRINK They love their honey and they love the vine, the wine and beer they engender with fire and the altered world each takes them to. They name their vessels like newborns, they name their goblets and flagons and mixing bowls and give titles to their cauldrons, those cornucopias of bronze or clay or silver, a few or […]
With June finally done and the rush of bringing out two books behind me, let me thank everyone who has purchased copies. There are still a few of each book left from my initial batch; if anyone is interested, I’m selling them myself much cheaper than Amazon etc., & they will be signed. If you would like a review copy […]
Here’s a roll call for all the books & scholars I gained so much from, in writing the poems in Bone Antler Stone. For some reason a handful are wildly expensive now, so I’ve put an asterisk before those that are still reasonably priced. Although as I discovered in collecting them all (sometimes only being able to photocopy them), handfuls […]
“Our prehistory now has its poet laureate.” – Barry Cunliffe, Oxford University Download readings from the book below, or read an essay about the book. US readers can order copies directly from me here: UK and worldwide readers, order directly from The High Window Press here Passing through more than thirty thousand years of history, the changing spiritual and material […]
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Below are readings of three of those poems, inspired by a tidal island, a museum, and a Viking cathedral on the island of Orkney, all combined with photos and videos […]
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Here’s an essay on how it came to be written: The poems of Bone Antler Stone go way back, as a book about ancient history probably should. My way in […]
Originally posted on Amethyst Review:
Two Gods I. Esus with an Axe As if he were winter itself Esus goes at the willow tree, goes to prune it back for a time, promising a spring without blades. And as if they were winter itself, the egrets in the willow tree consider how the cold must come, consider where all souls must go, and surrender the willow to fly. And as if it were winter itself the marsh beside the willow tree cools and freezes and hides beneath ice, beneath the cracking axe of Esus, beneath the iron sun, iron clouds, beside the low willow in winter. II. Sucellus: The Wine God Every now and then, why not, give your time to the drunk old man – the hammer he holds struck winter out of the earth after all, and gave us the grapes that got him all groggy, the barrel overflowing and the jar overturned, the amphorae running over. He’s not the most graceful god, not in spring, but remember that his hammer is thunder, that his hammer is the reliable wheel and his body is covered in the serious signs that the dark of deep winter were made for – so join him while his hammer is on the ground and while, stumbling, he gives a smile over at you. ? Tim Miller writes about religion, history and poetry at http://www.wordandsilence.com. These poems are from a larger collection on…
Many thanks to Sarah Law over at Amethyst, a journal focusing on poetry and the sacred, for publishing my poem on the sanctuaries of the Gauls in ancient France. You can read it here.
Many thanks as always to David Cooke over at The High Window, who just published four new poems of mine in their spring issue, and are the last batch before The High Window Press brings out my entire collection of poems from ancient Europe, Bone Antler Stone. Please also consider following them on WordPress, Twitter, and Facebook, that’s how all the cool […]
Many thanks to Tom Zimmerman and the editors of the Big Windows Review, who just published my poem “The Seeress of Vix” on the website. It will also appear in issue 11 of BWR, and you can find subscription info on their page. For more information on the c. 480 BC French burial and archaeological site the poem was inspired by, this […]
Many thanks to David Cooke at The High Window, who has published four of my poems here. I‘m also pleased to note that the post officially announces that the High Window Press will be publishing my full collection of poems from ancient Europe, Bone Antler Stone, later this year. The four poems posted today come from the end of that collection (and […]
Many thanks to the editors of the Cumberland River Review, who just published two of my poems from old Europe, on burials in ancient Sweden and Russia. You can read them here. The full collection of these poems will be published next year by the High Window Press in the UK, under the title Bone Antler Stone. You can read more of […]
After receiving an email from a reader interested in the mythology surrounding bears, I remembered my own obsession with the boar. This was written some time ago, and one day will hopefully be expanded for a small illustrated book. Forgive the in-line citations, which may be an eyesore, but it would take too long to turn them into footnotes. The […]
Many thanks to Richard Smyth, editor of Albatross, for including two of my poems from Old Europe in Albatross #27. You can download a .pdf of the entire issue here.
Many thanks to the editors of The High Window, who just published three new poems of mine. They are part of a larger sequence on the mythology, history, and archaeology of old Europe. You can read them here. For those interested in further info behind the poems, these are good starting places: Star Carr: Starr Carr – the official site […]
Many thanks to Michael Bartholomew-Biggs, poetry editor at Londongrip, who just published two new poems of mine. They are from a larger sequence on prehistoric burials in ancient Europe. The poems can be found here. For those interested in more info on the burials, these are both good starting places: Vedbaek Finds Amesbury Archer
