Poetry, History, Mythology
In early January, 1924, the poet Hart Crane, twenty-four and basically broke, received a letter from his father offering to hire him into the family business. To a friend, Crane wrote, “Along comes a letter from my father this morning offering me a position with him as travelling salesman! This is unacceptable, of course, even … Continue reading Hart Crane & His Father
Here is a favorite bit from a youthful T. S. Eliot (he’s just turned thirty but that’s young to me now). After leaving America for England and abandoning the job at Harvard his family was expecting of him, he made an unfortunate marriage and started a literary life of day job, essays and reviews. He … Continue reading T. S. Eliot & His Father
“Our prehistory now has its poet laureate.” – Barry Cunliffe, Oxford University Download readings from the book below, or read an essay about the book. US readers can order copies directly from me here: UK and worldwide readers, order directly from The High Window Press here Passing through more than thirty thousand years of history, … Continue reading “Bone Antler Stone” now available
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Below are readings of three of those poems, inspired by a tidal island, a museum, and a Viking cathedral on the island of Orkney, all … Continue reading The Island, the Museum, the Church: 3 Readings from “Bone Antler Stone”
My poetry collection Bone Antler Stone—a panorama of ancient Europe from the painted caves of Lascaux to contact with Greece and Rome—comes out on Thursday. You can order it here. Here’s an essay on how it came to be written: The poems of Bone Antler Stone go way back, as a book about ancient history … Continue reading On “Bone Antler Stone”: Ancient Europe, the Narrow Book & Finding Poetry Again
The Figured Wheel The figured wheel rolls through shopping malls and prisons, Over farms, small and immense, and the rotten little downtowns. Covered with symbols, it mills everything alive and grinds The remains of the dead in the cemeteries, in unmarked graves and oceans. Sluiced by salt water and fresh, by pure and contaminated rivers, … Continue reading Robert Pinsky, “The Figured Wheel”
Some poetry can become so much a part of our own personal scripture that its status as “literature” is pretty much irrelevant. This is near the top for me: From “East Coker” I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God. As, in … Continue reading T. S. Eliot hits the highest notes
from 21 Love Poems: 1 Whenever in this city, screens flicker with pornography, with science-fiction vampires, victimized hirelings bending to the lash, we also have to walk . . . if simply as we walk through the rainsoaked garbage, the tabloid cruelties of our own neighborhoods. We need to grasp our lives inseparable from those … Continue reading Adrienne Rich: 4 Love Poems
Inscription for a Gravestone I am not dead, I have only become inhuman: That is to say, Undressed myself of laughable prides and infirmities, But not as a man Undresses to creep into bed, but like an athlete Stripping for the race. The delicate ravel of nerves that made me a measurer Of certain fictions … Continue reading 2 Poems by Robinson Jeffers that shoot straight into eternity
Emily Dickinson, #975 The Mountain sat upon the Plain In his tremendous Chair – His observation omnifold, His inquest, everywhere – The Seasons played around his knees Like Children round a sire – Grandfather of the Days is He Of Dawn, the Ancestor – Wallace Stevens, “How to Live. What to Do” Last evening the … Continue reading Emily Dickinson & Wallace Stevens Climb a Mountain
Here is how James Merrill begins his 560 page poem, The Changing Light at Sandover, published between 1976 and 1982; it being the record of his conversations with a Ouija board, & with the spirits of W. H. Auden & many many others: Admittedly I err by undertaking This in its present form. The baldest prose … Continue reading James Merrill: A Poem to Begin Things
#1142 The Props assist the House Until the House is built And then the Props withdraw And adequate, erect, The House support itself And cease to recollect The Augur and the Carpenter – Just such a retrospect Hath the perfected Life – A Past of Plank and Nail And slowness – then the scaffolds drop … Continue reading Emily Dickinson Affirms a Soul
Paterson What do I want in these rooms papered with visions of money? How much can I make by cutting my hair? If I put new heels on my shoes, bathe my body reeking of masturbation and sweat, layer upon layer of excrement dried in employment bureaus, magazine hallways, statistical cubicles, factory stairways, cloakrooms of … Continue reading Allen Ginsberg, “Paterson”
“Out, Out – ” The buzz saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw … Continue reading Robert Frost: “Out, Out – ”
My Grandmother’s Love Letters There are no stars tonight But those of memory. Yet how much room for memory there is In the loose girdle of soft rain. There is even room enough For the letters of my mother’s mother, Elizabeth, That have been pressed so long Into a corner of the roof That they … Continue reading Hart Crane: “My Grandmother’s Love Letters”
Bobby Delano The labor to breathe that younger, rawer air: St. Mark’s last football game with Groton lost on the ice-crust, the sunlight gilding the golden polo coats of boys with country seats on the Upper Hudson. Why does that stale light stay? First Form hazing, first day being sent on errands by an oldboy, … Continue reading 3 Poems of Adolescent Love & Hazing by Robert Lowell
The Shampoo The still explosions on the rocks, the lichens, grow by spreading, gray, concentric shocks. They have arranged to meet the rings around the moon, although within our memories they have not changed. And since the heavens will attend as long on us, you’ve been, dear friend, precipitate and pragmatical; and look what happens. … Continue reading Elizabeth Bishop, “The Shampoo”
Many thanks as always to David Cooke over at The High Window, who just published four new poems of mine in their spring issue, and are the last batch before The High Window Press brings out my entire collection of poems from ancient Europe, Bone Antler Stone. Please also consider following them on WordPress, Twitter, and Facebook, … Continue reading “The sun sets into the sea to simmer”: 4 poems at The High Window
Back in the late nineties when a place called Borders Outlet still existed and Amazon was only a few years old, that was about the only store I could find – and afford – to buy brand new poetry books by that elusive species, The Poet Who Wasn’t Long Dead. Of all the books I … Continue reading Laurie Sheck’s poem “The Stockroom”
Walt Whitman, early 1863, looking on the Civil War dead: A Sight in Camp in the Daybreak Gray and Dim A sight in camp in the daybreak gray and dim, As from my tent I emerge so early sleepless, As slow I walk in the cool fresh air the path near by the hospital tent, … Continue reading Walt Whitman, “A Sight in Camp in the Daybreak Gray and Dim”
Here are some bits from Kafka’s Diaries, trying & failing to harmonize his writing life with his family and work life. All writers have been to some version of this, but few things are as heartbreaking as reading Kafka’s version of it. The first entry is one of the few moments of real elation he … Continue reading The Poet Speaks #14: Kafka Tries Again & Again
Here’s the twenty-third psalm of American poetry, & the place where Wallace Stevens brought so much of his complexity (despite his usual high-falutin title) to a stunning simplicity. It’s also a great love poem: Final Soliloquy of the Interior Paramour Light the first light of evening, as in a room In which we rest … Continue reading Wallace Stevens, “Final Soliloquy of the Interior Paramour”
Even though I’ve never read a word of his poetry, John Berryman has been haunting me lately. Two friends who are also poets that I admire deeply have both praised his work, and recently I’ve come across remarks from a handful of Berryman’s peers, reflecting on his life and his suicide in 1972. Here are … Continue reading The Poet Speaks #13: Richard Wilbur & John Berryman: “The artist is extremely lucky who is presented with the worst possible ordeal which will not actually kill him”
I’m stunned every time I read this: one of Wordsworth’s best short poems (& that’s saying something), & perhaps one of the great poems period: St. Paul’s Pressed with conflicting thoughts of love and fear I parted from thee, Friend! and took my way Through the great City, pacing with an eye Downcast, ear sleeping, … Continue reading Wordsworth & Eternity at St. Paul’s
If the Negro, or any other writer, is going to do what is expected of him, he’s lost the battle before the takes the field. I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance – but it must be acceptance on his own terms. Perhaps, … Continue reading The Poet Speaks #12: Ralph Ellison, Anthony Burgess, James Dickey
George Eliot, on empathy: The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies…. Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot. The only effect I … Continue reading The Poet Speaks #11: George Eliot, Ernest Hemingway, Philip Levine, Stephen King, Seamus Heaney: “struggling erring human creatures”
A random scattering, some barely aphorisms, from the first two volumes of the notebooks of Albert Camus. They are gold: One must not cut oneself off from the world. No one who lives in the sunlight makes a failure of his life. My whole effort, whatever the situation, misfortune or disillusion, must be to make … Continue reading The Poet Speaks #10: Albert Camus: “Dissolve in love”
On the supposed “difficulty” of his poetry: We are difficult. Human beings are difficult. We’re difficult to ourselves, we’re difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most “intellectual” piece of work. … Continue reading The Poet Speaks #9: Geoffrey Hill, Robert Frost, Allen Ginsberg, James Merrill, Ursula K. Le Guin: “We are difficult”
As even “nerd culture” and all the rest just becomes another snobby fad and pop culture corner to hide in, Patti Smith suggests where the real “next” actually is, out of view completely:…when people ask me Who’s the new people?, well to me the new people are the unknown people. The new people that I … Continue reading The Poet Speaks #8: Patti Smith, Toni Morrison, T. S. Eliot, Hart Crane: “I shall make every sacrifice toward that end”
On why he turned from more specialized to more popular writing on science and culture: Because of that [the use of scientific knowledge in the making of atomic bombs] I wanted to be sure that what I had to say would not be confined to a small circle of specialists but would touch people where … Continue reading The Poet Speaks #7: Bronowski, Bloom, Munro, Gilbert, Trevor
Some great quotes from W. B. Yeats and William Blake, chosen almost at random from two good biographies of them; there are no doubt thousands more, & should you have other favorites, do add them in the comments: From a young W. B. Yeats: …my ever multiplying boxes of unsaleable MSS – work too strange … Continue reading The Poet Speaks #6: Yeats & Blake
Many thanks to David Cooke at The High Window, who has published four of my poems here. I‘m also pleased to note that the post officially announces that the High Window Press will be publishing my full collection of poems from ancient Europe, Bone Antler Stone, later this year. The four poems posted today come from the … Continue reading “build it well, to bury it well, and wait”: Four New Poems at the High Window
On why he wrote about animals so much: I suppose because they were there at the beginning. Like parents. Since I spent my first seventeen or eighteen years constantly thinking about them more or less, they became a language – a symbolic language which is also the language of my whole life. It was not … Continue reading The Poet Speaks #5: Hughes, Auden, Hall, Pinsky, Collins
Flannery O’Connor responds to questions from academics and their students about her short stories: Week before last I went to Wesleyan and read “A Good Man is Hard to Find.” After it I went to one of the classes where I was asked questions. There were a couple of young teachers there and one of … Continue reading The Poet Speaks #4: O’Connor, Campbell, Merwin, Walcott, van Gogh
Advice to aspiring poets: If you can, get out. Everything else in the world pays better. Everything else in the world costs less, not only in terms of money but in terms of damage to your life. Everything else in the world is more justly rewarded. If you can be happy doing something else, the … Continue reading The Poet Speaks #3: Snodgrass, Beethoven, Hollander, Kunitz, Milosz
Quotes from all over on art & creativity: [Leonardo] was always less concerned with the finishing of a picture than with its conception. His ideal would consist of imagining the picture and getting someone else to paint it: invention was what mattered most to him. Painting was above all “a thing of the mind.” As … Continue reading The Poet Speaks #2: Leonardo, Williams, Bishop, Meredith, Ashbery
A new series of quotes from everywhere on writing and creativity: I was in the Navy, and I worked at a shore station in New York. Late in ’44, I was assigned to CINPAC – the Commander-in-Chief Pacific Ocean – at Pearl Harbor, and when that command moved to the Marianas, to Guam, I went … Continue reading The Poet Speaks #1: Fitzgerald, Larkin, Paz, Lowell, Aiken
Immense thanks to Barton Smock, who just published three of my poems at Isacoustic. You can read them here. They are among my favorites from the past few years, and so it’s wonderful to see them all together; whatever it is I’ve been trying to say with history and mythology, landscape and autobiography, are all there. … Continue reading Deep History & Old Childhood: 3 New Poems at Isacoustic
Many thanks to the editors of the Cider Press Review, who just published my poem “Old Man’s Shed.” You can read it here Continue reading “Old Man’s Shed” – New Poem at Cider Press Review
Many thanks to the editors of the Cumberland River Review, who just published two of my poems from old Europe, on burials in ancient Sweden and Russia. You can read them here. The full collection of these poems will be published next year by the High Window Press in the UK, under the title Bone Antler Stone. … Continue reading Two New Poems from Old Europe
Many thanks to the editors of the Cider Press Review, who just published my poem “Missing Child.” You can read it here. Continue reading “Missing Child”: New Poem at the Cider Press Review
Perhaps because he embodied that rarest of combinations—the energy and enthusiasm of youth, and actual genius—there are few writers better at articulating the fire of creation than Hart Crane. The following selection from his letters carries Crane from his early twenties to a few years before he died at thirty-two: here is is writing The … Continue reading “I respond more to revelation”: Hart Crane on Fire
Here is one the my favorite moments from a writer’s life, followed by one of the saddest. Only seven months apart, they typify the pendulum of great highs and awful lows in Hart Crane’s life. Desperate to write, and giving in his letters as articulate a record of that burning desire as any writer I … Continue reading Hart Crane, High & Low
It has always seemed significant to me that, at the beginning of the first and the end of the last edition of his great book of poems, Walt Whitman gives us a long essay in prose. I thought to only give selections of them, but it is impossible to edit Whitman, to put a stopper … Continue reading Whitman Last
It has always seemed significant to me that, at the beginning of the first and the end of the last edition of his great book of poems, Walt Whitman gives us a long essay in prose. I thought to only give selections of them, but it is impossible to edit Whitman, to put a stopper … Continue reading Whitman First
Here are some bits on writing, nature, and anonymous everyday life from Wallace Stevens, that quiet murmur of American poetry who may well outlast nearly everybody. The following are from his letters and journals, from 1898 to 1955, only a few months before his death at seventy-five. That a poet so technically isolated (and gladly … Continue reading Wallace Stevens, Intergalactic Planetary
