When in 1937 the mythologist Joseph Campbell began dating his future wife, the dancer Jean Erdman, he gave her a copy of Oswald Spengler’s Decline of the West, an odd courtship gift indeed. While visiting Erdman’s family, they discussed the book. Later: …At the end of a pleasant evening Joseph offered to walk Jean home; she tucked her copy of […]
From childhood through old age: Albrecht Dürer, “Self-Portrait” (1484) Albrecht Dürer, “Self-Portrait” (1493) Albrecht Dürer, “Self-Portrait” (1498) Albrecht Dürer, “Self-Portrait” (1500) Albrecht Dürer, “Self-Portrait” (1522)
from “Clearances” When all the others were away at Mass I was all hers as we peeled potatoes. They broke the silence, let fall one by one Like solder weeping off the soldering iron: Cold comforts set between us, things to share Gleaming in a bucket of clean water. And again let fall. Little pleasant splashes From each other’s work […]
from John Richardson’s biography of Picasso: When questioned much later about his earliest sexual experience, Picasso claimed that his sex life had started very early on: “Yes,” he says smiling, with a sparkle in his eye, “I was still quite small”—and he indicated a diminutive height wit his hand. “Obviously I didn’t wait for the age of reason. If I […]
My Mother’s Sister I see her against the pearl sky of Dublin Before the turn of the century, a young woman With all those brothers and sisters, green eyes, hair She could sit on; for high life, a meandering sermon (Church of Ireland) each Sunday, window-shopping In Dawson Street, picnics at Killiney and Howth … To know so little about […]
No matter how poor he got, and no matter what of his belongings he had to sell to get by, William Blake always held onto a print of Albrecht Dürer’s 1514 work, Melencolia I; it was found in his workroom when he died. And so it is worth looking in detail, again and again, at anything which an artist and […]
When, in 1522, Martin Luther agreed to a staged kidnapping that would keep him safe from Catholic and other authorities, he soon found himself out of danger, but also bored to tears. Hiding out in castle called the Wartburg, near Eisenach, he soon admitted, “I sit here idle and drunk all day long.” Thomas Cahill picks up the story: …this […]
The Austrian artist Egon Schiele’s brutal self-portraits, many dating from before World War One, seem to presage all the carnage and atrocity and alienation that was to come. As more famous artists from the time look terribly dated today, Shiele seems like he could still be working right now: Egon Schiele – Self Portrait (1911)
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each image to enlarge, or watch the video:
Click on the image to enlarge, or watch the video:
One of the great jazz standards of Medieval & Renaissance art, here’s only a selection of all the depictions of St. Jerome: studying indoors or out, with or without his lion or skull, probably translating the Bible as he goes, reading or writing always. All a good excuse for artists to place him in contemporary landscapes, or familiar book-lined rooms. […]
At an antique store a few years ago, I spent $10 on an envelope of old photos. I love to imagine their stories, and thought others might too. And perhaps someone out there knows them? Click on the slideshow to begin:
Taken from John Richardson’s biographies of Picasso. Click on each to enlarge:
The French painter and model Victorine Meurent (1844-1927) appears in some of the most famous of Édouard Manet’s paintings. Click on each to enlarge:
The number of Rembrandt’s self-portraits alone far outnumber the entire output of many artists. Here is only a fraction of them, but watch him grow up, change, and emerge with many moods. Click on each to enlarge:
The artist Marc Chagall, meeting his wife Bella Rosenfeld in 1909; they were together for the next 35 years: I am at Thea’s, lying on the sofa in the consulting room of her father, a physician. I liked to stretch out that way near the window on that sofa covered with a black horsehair cloth, worn, with holes in […]
Two passages from Bruce Springsteen talking about his 1982 album Nebraska. You can hear the entire album here: Nebraska began as an unknowing meditation on my childhood and its mysteries. I had no conscious political agenda or social theme. I was after a feeling, a tone that felt like the world I’d known and still carried inside me. The remnants […]
from a 2006 interview: “… television began in 1948, really, and Popular Culture just grew and grew and grew and grew, and by the time I was in college, or in graduate school at the University of Chicago, David Riesman was there, and he was writing The Lonely Crowd, you remember. And I used to go to his classes and […]
A wonderful paragraph from Peter Ackroyd’s biography of William Blake, where he shows how the poet slowly came to accept that if he was writing for anyone other than himself, it was for posterity; and how he charged ahead nevertheless: His independence meant that he could preserve his vision beyond all taint—and that integrity is an essential aspect of his […]
A piece of the beginning and end of The Hero with a Thousand Faces: Whether we listen with aloof amusement to the dreamlike mumbo jumbo of some red-eyed witch doctor of the Congo, or read with cultivated rapture thin translations from the sonnets of the mystic Lao-tse; now and again crack the hard nutshell of an argument of Aquinas, or […]
If anyone asks you about the Why of art, especially in the face of atrocity or just its apparent impracticality—for the artist or the audience—this anecdote from Lawrence Weschler is about as good an answer as I know. I happened to be in The Hague a while back, sitting in on the preliminary hearings of the Yugoslav War Crimes […]
Here are two passages from Beethoven’s life. The first finds him on his deathbed, and is recorded in the memoirs of one of his friends. Beset by his final illness, the composer is rejuvenated for the last time by an astounding gift: the complete scores George Frederic Handel. The fact that Beethoven, so close to death, could still express an […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. “Loveliest of trees, the cherry now” Loveliest of […]
from Bloom’s 1991 interview with The Paris Review: You know, I’ve learned something over the years, picking up copies of my books in secondhand bookstores and in libraries, off people’s shelves. I’ve written so much and have now looked at so many of these books that I’ve learned a great deal. You also learn this from reviews and from things […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. And it’s worth asking, as I start with […]
The late poet and translator W. S. Merwin, who died only last month at ninety-one, has left us a remarkable account of visiting an aging and imprisoned Ezra Pound back in 1949, when Merwin was just starting out. I was in Washington, D.C., at Easter, during one of my last years as a student. I was visiting a college friend […]
Here is one the my favorite moments from a writer’s life, followed by one of the saddest. Only seven months apart, they typify the pendulum of great highs and awful lows in Hart Crane’s life. Desperate to write, and giving in his letters as articulate a record of that burning desire as any writer I know, it is hard not […]
…it might as well be this passage from late in the book, when Ahab and Starbuck almost give up their chase for the whale so that they can look “into a human eye” again. Memories of family, love and a sane life almost convinces Ahab, but the effort fails, and the obsession continues: Starbuck saw the old man; saw him, […]
When James Joyce returned to Ireland in the closing months of 1909, leaving his wife Nora Barnacle in Trieste, it was the first time they had been apart for so long since they had fled Ireland together in 1904. Their separation, prompted by a business scheme Joyce hoped to succeed in, instead gifted the world with some of the most […]
From Walter Isaacson’s recent biography of da Vinci, here is about as concise and colorful a summary of how true genius can, in the same century and even the same city, manifest itself in entirely different ways: When Leonardo left Florence for Milan in 1482, Michelangelo was only seven years old. His father was a member of Florence’s minor nobility […]
“Out, Out – ” The buzz saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw snarled and rattled, snarled and […]
St. Paul’s Pressed with conflicting thoughts of love and fear I parted from thee, Friend! and took my way Through the great City, pacing with an eye Downcast, ear sleeping, and feet masterless That were sufficient guide unto themselves, And step by step went pensively. Now, mark! Not how my trouble was entirely hushed, (That might not be) but how, […]
Here’s W. B. Yeats recalling his earliest experiences of poetry: ….This may have come from the stable-boy, for he was my principal friend. He had a book of Orange rhymes, and the days when we read them together in the hay-loft gave me the pleasure of rhyme for the first time. Later on I can remember being told, when there […]
Here is W. B. Yeats, remembering some of his early experiences with the occult and supernatural. All taken from his The Trembling of the Veil, collected in Autobiographies: When staying with Hyde in Roscommon, I had driven over to Lough Kay, hoping to find some local memory of the old story of Tumaus Costello, which I was turning into a […]
From that greatest of literary biographies, Richard Ellmann’s James Joyce, here is the account of Joyce meeting Marcel Proust, only a few months before Proust’s death: On May 18, 1922, Sydney Schiff (“Stephen Hudson”), the English novelist whom Joyce had met a few times, invited him to a supper party for Stravinsky and Diaghilev following the first performance of one […]
Our love for certain books or movies or pieces of music are so intense that we like to imagine our preference for them rises to the level of objectivity. The wonderfully grouchy critic Harold Bloom, for instance, praises the poetry of Hart Crane to no end; but, just as effusively, he can relate the memory of receiving Crane’s Collected Poems […]
Josef K. is arrested for no reason at the beginning of Kafka’s The Trial, and at its conclusion he is put to death for no reason as well. Kafka, who worked by day as a lawyer at a Prague insurance company, was well able to illustrate not just the absurdity and inscrutability of bureaucracy, but also its deep cruelty and […]
From Kafka’s novel The Trial: Before the Law stands a doorkeeper. A man from the country comes to this doorkeeper and requests admittance to the Law. But the doorkeeper says that he can’t grant him admittance now. The man thinks it over and then asks if he’ll be allowed to enter later. “It’s possible,” says the doorkeeper, “but not now.” […]
From Virginia Woolf’s Diary on November 21, 1918: I was interrupted somewhere on this page by the arrival of Mr Eliot. Mr Eliot is well expressed by his name – a polished, cultivated, elaborate young American, talking so slow, that each word seems to have special finish allotted it. But beneath the surface it is fairly evident that he is […]
An amazing passage from a letter of Heloise to Abelard, those twelfth-century lovers who ended up in a nunnery and a monastery after their affair was discovered. Strip away the contemporary details (their religiosity and its attendant guilt, etc.), and Heloise might be writing a blog today: In my case, the pleasures of lovers which we shared have been too […]
James Murray (1837-1915), the Scottish lexicographer and philologist, sent the following letter regarding a job at the British Museum in late 1866. Largely self-taught, he later became the first editor of the Oxford English Dictionary. Before then, this letter somehow didn’t get him the British Museum gig: I have to state that Philology, both Comparative and special, has been my […]
Strange to find a Hughes poem more populated by people than animals; & you can tell he’s not happy about it: Devon Riviera Under the silk nightie of the August evening The prepared resort, a glowing liner, Leans toward happiness, unmoving. The whole vessel throbs with dewy longing. Grey, dazed heads, promenading their pots, Their holiday shirts, their shrunk, freckled […]
from Simon Schama’s Power of Art In the winter of 1941, Pablo Picasso was living and working at the top of an old house in the rue des Grands Augustins in Paris. The Seine was a stone’s throw away. Hard northern light swept in over the rooftops. Pigeons perched on the sills. But Picasso’s Left Bank life during the Occupation […]
In early January, 1924, the poet Hart Crane, twenty-four and basically broke, received a letter from his father offering to hire him into the family business. To a friend, Crane wrote, “Along comes a letter from my father this morning offering me a position with him as travelling salesman! This is unacceptable, of course, even though I now can’t complete […]
Here is a favorite bit from a youthful T. S. Eliot (he’s just turned thirty but that’s young to me now). After leaving America for England and abandoning the job at Harvard his family was expecting of him, he made an unfortunate marriage and started a literary life of day job, essays and reviews. He eventually had enough essays for […]
The Making of an Irish Goddess Ceres went to hell with no sense of time. When she looked back all that she could see was the arteries of silver in the rock, the diligence of rivers always at one level, wheat at one height, leaves of a single colour, the same distance in the usual light; a seasonless, unscarred earth. […]
As an addition to my last post, here is George Orwell’s complete description of going down into the coal mines of northern England, taken from the second chapter of his 1937 book, The Road to Wigan Pier. The entire text of the book can be found here. *** When you go down a coal-mine it is important to try and […]
As usual, George Orwell says it better than anybody. Here he is in his 1937 book The Road to Wigan Pier, asking his readers not to give up using coal, but just to recognize whose labor is providing them with that coal. Nowadays I would only add to the coal miners all the people behind our conveniences; because if we […]
Jung traveled with Freud and others to America in late September, 1909, and on the boat returning to Europe, he had a dream. Whatever you make of Jung’s overarching theories and scholarship, it always seems better to think of him more as a poet or mystic, and so his strength seems to lie in descriptions of intense inner experiences, and […]
Those Images What if I bade you leave The cavern of the mind? There’s better exercise In the sunlight and wind. I never bade you go To Moscow or to Rome. Renounce that drudgery, Call the Muses home. Seek those images That constitute the wild, The lion and the virgin, The harlot and the child. Find in middle air An […]
Here are excerpts from the last book of Wordsworth’s 1805 Prelude. Other excerpts are here. In one of these excursions, travelling then Through Wales on foot and with a youthful friend, I left Bethkelet’s huts at couching-time, And westward took my way to see the sun Rise from the top of Snowdon. Having reading The cottage at the mountain’s […]
Throughout the summer I hope to post my favorite bits from Wordworth’s 1805 Prelude. Book 12 continues his meditations in Book 11, which was titled “Imagination, How Impaired & Restored.” Other excerpts are here. Such benefit may souls of humblest frame Partake of, each in their degree; ’tis mine To speak of what myself have known and felt – […]
Excerpts from Book 11 of Wordsworth’s 1805 Prelude, which he calls “Imagination, How Impaired and Restored.” Other excerpts are here. Long time hath man’s unhappiness and guilt Defained us: with what dismal sights beset For the outward view, and inwardly oppressed With sorrow, disappointment, vexing thoughts, Confusion of the judgement, zeal decayed – And last, utter loss of hope […]
Excerpts from Book 10 of Wordsworth’s 1805 Prelude, where he concludes his story of being in France during the Revolution. Other excerpts are here. A poor mistaken and bewildered offering, Should to the breast of Nature have gone back, With all my resolutions, all my hopes, A poet only to myself, to men Useless, and even, beloved friend, a […]
The Maid’s Thought Why listen, even the water is sobbing for something. The west wind is dead, the waves Forget to hate the cliff, in the upland canyons Whole hillsides burst aglow With golden broom. Dear how it rained last month, And every pool was rimmed With sulphury pollen dust of the wakening pines. Now tall and slender suddenly The […]
Excerpts from Book 9 of Wordsworth’s 1805 Prelude, where he begins his story of being in France during the Revolution. Other excerpts are here. ’Tis mine to tread The humbler province of plain history, And, without choice of circumstance, submissively Relate what I have heard. Book 9, 642-645 Oft then I said, And not then only, “What a mockery […]
Excerpts from Book 8 of Wordsworth’s 1805 Prelude, which he titles “Love of Nature Leading to Love of Mankind.” Other excerpts are here. With deep devotion, Nature, did I feel In that great city what I owed to thee: High thoughts of God and man, and love of man, Triumphant over all those loathsome sights Of wretchedness and vice, […]
Excerpts from Book 7 of Wordsworth’s 1805 Prelude, on his time living in London. Other excerpts are here. Above all, one thought Baffled my understanding, how men lived Even next-door neighbours, as we say, yet still Strangers, and not knowing each other’s names. Book 7, 117-120 Shall I give way, Copying the impression of the memory – […]
Excerpts from Book 6 of Wordsworth’s 1805 Prelude, on his friendship with Coleridge. Other excerpts are here. There is no grief, no sorrow, no despair, No languor, no dejection, no dismay, No absence scarcely can there be, for those Who love as we do. Book 6, 253-256 I too have been a wanderer, but, alas, How different is the […]
Back when I used to do a lot of readings, I would start out by sharing somebody else’s work, and I realize that I should do the equivalent of that with the release of my book of stories, The Lonely Young & the Lonely Old. The person that comes to mind is the late William Trevor, whose Last Stories was […]
Excerpts from Book 5 of Wordsworth’s 1805 Prelude, on his love for books. Other excerpts are here. And yet it seems That here, in memory of all books which lay Their sure […]
Excerpts from Book 4 of Wordsworth’s 1805 Prelude, on his time home from college. Other excerpts are here. Why should I speak of what a thousand hearts Have felt, and every man alive can guess? Book 4: 33-34 Delighted did I take my place again At our domestic table; and, dear friend, Relating simply as my wish hath […]
Excerpts from Book 3 of Wordsworth’s 1805 Prelude, on his years at Cambridge. Other excerpts are here. Things they were which then I did not love, nor do I love them now: Such glory was but little sought by me, And little won. But it is right to say That even so early, from the first crude days Of […]
Excerpts from Book 2 of Wordsworth’s 1805 Prelude. Other excerpts are here. Thus the pride of strength And the vainglory of superior skill Were interfused with objects which subdued And tempered them, and gradually produced A quiet independence of heart. And to my friend who knows me I may add, Unapprehensive of reproof, that hence Ensued a diffidence and […]
Excerpts from Book 1 of Wordsworth’s 1805 Prelude. Other excerpts are here. Time, place, and manners, these I seek, and these I find in plenteous store, but nowhere such As may be singled out with steady choice – No little band of yet remembered names Whom I, in perfect confidence, might hope To summon back from lonesome banishment And […]
From the second of Virgil’s Georgics, translated by David Ferry: It’s spring that adorns the woods and groves with leaves; In spring the soil, desiring seed, is tumid, And then the omnipotent father god descends In showers from the sky and enters into The joyful bridal body of the earth, His greatness and her greatness in their union Bringing to […]
Some poetry can become so much a part of our own personal scripture that its status as “literature” is pretty much irrelevant. This is near the top for me: From “East Coker” I said to my soul, be still, and let the dark come upon you Which shall be the darkness of God. As, in a theatre, The lights are […]
Inscription for a Gravestone I am not dead, I have only become inhuman: That is to say, Undressed myself of laughable prides and infirmities, But not as a man Undresses to creep into bed, but like an athlete Stripping for the race. The delicate ravel of nerves that made me a measurer Of certain fictions Called good and evil; that […]
Six Young Men The celluloid of a photograph holds them well – Six young men, familiar to their friends. Four decades that have faded and ochre-tinged This photograph have not wrinkled the faces or the hands. Though their cocked hats are not now fashionable, Their shoes shine. One imparts an intimate smile, One chews a grass, one lowers his eyes, […]
Emily Dickinson, #975 The Mountain sat upon the Plain In his tremendous Chair – His observation omnifold, His inquest, everywhere – The Seasons played around his knees Like Children round a sire – Grandfather of the Days is He Of Dawn, the Ancestor – Wallace Stevens, “How to Live. What to Do” Last evening the moon rose above this rock […]
#1142 The Props assist the House Until the House is built And then the Props withdraw And adequate, erect, The House support itself And cease to recollect The Augur and the Carpenter – Just such a retrospect Hath the perfected Life – A Past of Plank and Nail And slowness – then the scaffolds drop Affirming it a Soul –
The force that through the green fuse drives the flower The force that through the green fuse drives the flower Drives my green age; that blasts the roots of trees Is my destroyer. And I am dumb to tell the crooked rose My youth is bent by the same wintry fever. The force that drives the water through the rocks […]
Paterson What do I want in these rooms papered with visions of money? How much can I make by cutting my hair? If I put new heels on my shoes, bathe my body reeking of masturbation and sweat, layer upon layer of excrement dried in employment bureaus, magazine hallways, statistical cubicles, factory stairways, cloakrooms of the smiling gods of psychiatry; […]
“Out, Out – ” The buzz saw snarled and rattled in the yard And made dust and dropped stove-length sticks of wood, Sweet-scented stuff when the breeze drew across it. And from there those that lifted eyes could count Five mountain ranges one behind the other Under the sunset far into Vermont. And the saw snarled and rattled, snarled and […]
My Grandmother’s Love Letters There are no stars tonight But those of memory. Yet how much room for memory there is In the loose girdle of soft rain. There is even room enough For the letters of my mother’s mother, Elizabeth, That have been pressed so long Into a corner of the roof That they are brown and soft, And […]
After finishing To the House of the Sun, a poem mostly reliant on translations of ancient poetry (and in some ways the book now feels like something I translated), I had to find my way back to English poetry. One way was through the Penguin anthologies of Renaissance, Metaphysical, Romantic and Victorian poetry. They included all the expected gems, as […]
A young Seamus Heaney recalls a blacksmith from his boyhood, while a much older Seamus Heaney illustrates the sometimes excessive power of retributive force (he says he was inspired by the U. S. military response to 9/11) by the swinging of a sledgehammer. The Forge All I know is a door into the dark, Outside, old axles and […]
Walt Whitman, early 1863, looking on the Civil War dead: A Sight in Camp in the Daybreak Gray and Dim A sight in camp in the daybreak gray and dim, As from my tent I emerge so early sleepless, As slow I walk in the cool fresh air the path near by the hospital tent, Three forms I see on […]
Here are some bits from Kafka’s Diaries, trying & failing to harmonize his writing life with his family and work life. All writers have been to some version of this, but few things are as heartbreaking as reading Kafka’s version of it. The first entry is one of the few moments of real elation he was able to document, one […]
Even though I’ve never read a word of his poetry, John Berryman has been haunting me lately. Two friends who are also poets that I admire deeply have both praised his work, and recently I’ve come across remarks from a handful of Berryman’s peers, reflecting on his life and his suicide in 1972. Here are two quotes, the first from […]
If the Negro, or any other writer, is going to do what is expected of him, he’s lost the battle before the takes the field. I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance – but it must be acceptance on his own terms. Perhaps, though, this thing cuts both […]
George Eliot, on empathy: The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies…. Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fellow-men beyond the bounds of our personal lot. The only effect I ardently long to produce by […]
On the supposed “difficulty” of his poetry: We are difficult. Human beings are difficult. We’re difficult to ourselves, we’re difficult to each other. And we are mysteries to ourselves, we are mysteries to each other. One encounters in any ordinary day far more real difficulty than one confronts in the most “intellectual” piece of work. Why is it believed that […]
As even “nerd culture” and all the rest just becomes another snobby fad and pop culture corner to hide in, Patti Smith suggests where the real “next” actually is, out of view completely:…when people ask me Who’s the new people?, well to me the new people are the unknown people. The new people that I embrace are the people that […]
On why he turned from more specialized to more popular writing on science and culture: Because of that [the use of scientific knowledge in the making of atomic bombs] I wanted to be sure that what I had to say would not be confined to a small circle of specialists but would touch people where their humanity and their knowledge […]
Some great quotes from W. B. Yeats and William Blake, chosen almost at random from two good biographies of them; there are no doubt thousands more, & should you have other favorites, do add them in the comments: From a young W. B. Yeats: …my ever multiplying boxes of unsaleable MSS – work too strange at one moment and too […]
On why he wrote about animals so much: I suppose because they were there at the beginning. Like parents. Since I spent my first seventeen or eighteen years constantly thinking about them more or less, they became a language – a symbolic language which is also the language of my whole life. It was not something I began to learn […]
Flannery O’Connor responds to questions from academics and their students about her short stories: Week before last I went to Wesleyan and read “A Good Man is Hard to Find.” After it I went to one of the classes where I was asked questions. There were a couple of young teachers there and one of them, an earnest type, started […]
Should anyone tell you that the primary duty of art (and of life) is to be political, to constantly choose sides and to turn one another into mere categories and the most minute identities, here are a few replies by Jean Guéhenno, written while living in Nazi-Occupied Paris. All come from his Diary of the Dark Years: December 23, 1940 […]
Advice to aspiring poets: If you can, get out. Everything else in the world pays better. Everything else in the world costs less, not only in terms of money but in terms of damage to your life. Everything else in the world is more justly rewarded. If you can be happy doing something else, the chances are you will be […]
Quotes from all over on art & creativity: [Leonardo] was always less concerned with the finishing of a picture than with its conception. His ideal would consist of imagining the picture and getting someone else to paint it: invention was what mattered most to him. Painting was above all “a thing of the mind.” As he clearly put it, “To […]
A new series of quotes from everywhere on writing and creativity: I was in the Navy, and I worked at a shore station in New York. Late in ’44, I was assigned to CINPAC – the Commander-in-Chief Pacific Ocean – at Pearl Harbor, and when that command moved to the Marianas, to Guam, I went along on staff, to do […]
Originally posted on Underfoot Poetry:
Bermondsey Spaces By the corner forecourt of the Shell station the man eating ribs from a paper bag lets a crutch dangle on one elbow, as he picks his way through want and circumstance, under the gloaming, the overpass, beyond the river’s abstract mass. A light like fine quartz inside concrete ghosts our day. Low…
Originally posted on Underfoot Poetry:
Here are fourteen early poems from Ted Hughes, all of them from before the more well-known collections Wodwo and Crow. The powerful voices he gives to the animal and natural world, to history and mythology, to the experience of war, even to the theology of a sixteenth-century martyr burned at the stake, are well worth…
Originally posted on Underfoot Poetry:
As Blue Fades Which defines you best, a creaking lid or the light-turned flower? The coffee’s steam or smoke wafting from your hand. Your bowls color my shelves; I touch them daily. Sound fills their bodies with memory. The lighter’s click invokes your name. And the stepping stones to nowhere, your current address. If the…
Originally posted on Underfoot Poetry:
While I’d like to say that after Four Quartets, I don’t know of another long poem from the last century that’s meant as much to me as Allen Ginsberg’s elegy for his mother, Kaddish for Naomi Ginsberg, 1894-1956. But it’s so powerful that even describing it as a poem seems silly: it really doesn’t matter…
Originally posted on Underfoot Poetry:
Here’s Seamus Heaney, first talking about his poems on the bog bodies of Iron Age Europe, in Dennis O’Driscoll’s Stepping Stones, and then the bog poems themselves, spanning three of his collections: Wintering Out, North, and District and Circle. Also, since I hope to do a post on the bog bodies at some point, interested…
Originally posted on Underfoot Poetry:
Eden Park Meditation i How odd that the days lengthen; the hours braced against a brittle sun that sears the lip of ice at the base of the black oak. The ice and the sun are opaque and impenetrable, a sealed world. This world. The days don’t dwindle into twilight but linger so silently we hardly notice the future in these perplexed angles of light. Later, at the feet of the boxwood, night rustles anxiously, or is it merely the wind. No, there are certain tensions. The night wants what it is owed. ? ii Mornings, I walk the circular pond and the pond stares back. I won’t go near enough to see the distorted reflection staring up at me The sky is there; clouds shunt past, rapid as recognition, the sky a blank eye as is the sun. I stand at the edge, I am a poor lot, my mind sees nothing useful. Not the world as it is, darkling sense, dear winged plume of thought . . . the pond and what is reflected–images of light on a blinded eye. What makes us think the water will tell us what it holds. ? iii Year after year the same: winter rushing towards us in a cool, blue cloak, pale and in a chilled clarity: Through the trunks of the thickest oak the day goes forward and that one wood thrush,…
Originally posted on Underfoot Poetry:
A hundred years ago, in June of 1917, the small Egoist Press in Bloomsbury, London, issued a book of poems by the American expatriate, T. S. Eliot, Prufrock and Other Observations. Much like trying to read the Bible after a religious upbringing, it is almost impossible now to read especially the first four poems—“The Love Song of J. Alfred Prufrock,” “Portrait of a Lady,” “Preludes,” and “Rhapsody on a Windy Night”—without reference to the veneer, reputation, and sometimes repudiation, that have attached themselves to Eliot in the century since. (And many of the remaining poems make you wonder why that reputation took hold at all.) But here are all twelve of them. What an odd bird the book was then, and how strange so much of it still seems now. ? The Love Song of J. Alfred Prufrock S’io credesse che mia risposta fosse A persona che mai tornasse al mondo, Questa fiamma staria senza piu scosse. Ma perciocche giammai di questo fondo Non torno vivo alcun, s’i’odo il vero, Senza tema d’infamia ti rispondo. Let us go then, you and I, When the evening is spread out against the sky Like a patient etherized upon a table; Let us go, through certain half-deserted streets, The muttering retreats Of restless nights in one-night cheap hotels And sawdust restaurants with oyster-shells: Streets that follow like a tedious argument Of insidious intent To lead you to an…
Originally posted on Underfoot Poetry:
Remember when poets made the cover of Time? It’s too bad the reputation of?Robinson Jeffers has pretty much disappeared; but read any of the following poems aloud and see if you don’t hear something brutal, beautiful, and essential. While he?seems to have staked his reputation on the longer narratives that pretty well fill his Collected Poetry, it’s his small, powerful lyrics that strike me as being as good as anything ever written. INSCRIPTION FOR A GRAVESTONE I am not dead, I have only become inhuman: That is to say, Undressed myself of laughable prides and infirmities, But not as a man Undresses to creep into bed, but like an athlete Stripping for the race. The delicate ravel of nerves that made me a measurer Of certain fictions Called good and evil; that made me contract with pain And expand with pleasure; Fussily adjusted like a little electroscope: That’s gone, it is true; (I never miss it; if the universe does, How easily replaced!) But all the rest is heightened, widened, set free. I admired the beauty While I was human, now I am part of the beauty. I wander in the air, Being mostly gas and water, and flow in the ocean; Touch you and Asia At the same moment; have a hand in the sunrises And the glow of this grass. I left the light precipitate of ashes to earth For a love-token. ?…
Originally posted on Underfoot Poetry:
Black Moon Season for walking out into white frost under the black moon. Feeling the grass bend, the cold enfold flesh, the dark draw closer. Scenting the wet earth, lying fallow: ice has its own smell. Tasting night on the tongue, cobwebby, thin, and the mouth’s own heat. Watching the breath steam, cloudy, abundant, twining with old leaves. Hearing the silence staking its own claim. Then – the keen owl cry sadly to fierce stars as once the wolves cried, walking here also. ? ? Daylight Fox We watch her circle the house, crouched low to the ground. Her hollow flanks flutter, in out, in out, and her fur, black-tipped, as if charred, shivers with them. She has sensed the warmth of breath, the throb of a heart. She has scented the rust of blood, its salt abundance. Her doggish ears tense forward. Her gilt eyes narrow. Her pulse comes fast and feet shift slowly, slowly. And we, behind the window, observe her progress, her imperceptible and ceaseless movement, and wonder where the thing she stalks is waiting, living and trembling, waiting for its death. ? ? The Girl Of Wood A quiet girl, this one: sometimes, she mutters, hushy and breathless, gibberish of her own, or groans deeply, on an autumn evening, her feet encased by damp, her hair wind-blown. A sturdy girl, this one, phlegmatic, stocky, her movements reluctant, her broad feet planted…
Originally posted on Underfoot Poetry:
“The Song of the Sea,” which comprises Exodus 15:1-18 and tells of the Israelites’ escape from Egypt via the Red Sea, is one of the oldest parts of the Bible. Explaining the early form of Hebrew in which it was written, James Kugel notes that the Hebrew prefix ha- (a definite article corresponding to our…
Originally posted on Underfoot Poetry:
Documentary A woman in a documentary is frozen in my mind. She stands behind an asylum window and whispers in a foreign language. The subtitle below her reads, “Please let me out of here.” She is framed by the subtitle; framed by the edit of her portrayal. Finally, she is framed by the asylum itself.…
Originally posted on Underfoot Poetry:
Many thanks to David Cooke for contributing this week’s Forerunner, and it’s quite a treat. Below he has recorded a good portion of two Anglo-Saxon poems, “The Ruin” and “The Seafarer” in the original Old English. Also included is the original text, an English translation and, following “The Ruin,” David Cooke’s response to the poem,…
To celebrate Walt Whitman’s birthday today, S4N Books is announcing their new series, Pocket Poems. It will feature classic long poems and books of poetry in small pocket-sized editions. The first three volumes are now available: the 1855 and 1892 editions of Whitman’s Song of Myself, and Alfred Tennyson’s elegy, In Memoriam. Future titles will include books by William Wordsworth, […]
Originally posted on Underfoot Poetry:
Boriska Snowmelt mangles gray potato fields, oxcarts rot & sink by dung heaps, & month after month the heaps rise— I don’t care. Again the sky is opaque. &, still, wizened, Andrei goes on painting icons. In one he gives Christ a cloak the color of earth. He hangs it nonchalantly over His left…
Originally posted on Underfoot Poetry:
Gold Its lack of reaction has made it unique, that and the way it can magnetize fools: forty-niners, Midas, the futures mob— so gung ho, yet always dazzled by it, like urchins dreaming of gilded pavements. Locked in a vault, it validates paper. It’s what the rich cling to when the bubble bursts, smiling at…
I’m happy to announce the launch of a new poetry blog I’ll be editing, Underfoot Poetry. It will include original, unpublished work from poets around the world, as well as a series I call Forerunners, featuring influential poetry from the past. The first installments of both are up right now: six new poems from the British poet Daniel Paul Marshall, […]
Are poets today largely talking to themselves? Are many of them happy to do so, locked away in academia or whatever other cloister? Are the ones who want a wider public, and who want to take on larger subjects, just curating their shelf of books for future generations to find? I heard somewhere that after September 11, Bruce Springsteen was […]
Are these not three of the most amazing songs you’ve ever heard?
Going through my computer the other day, I found the .pdfs of these classic book sets, and thought to post them here for whoever wants them: Frazer’s The Golden Bough, The Mythology of All Races, and Ancient Near Eastern Texts Relating to the Old Testament. Whatever their limitations now, they are still great resources. I can’t remember where I found […]
There’s a sense that, eventually, somebody could have written much of the best of John Donne’s poetry. His tremendous blend of looseness (many of the poems can feel casually spoken) coupled with an almost impenetrable density and complexity, or his mixture of the erotic and humorous and newly-scientific in some of his love poetry, feel at times like they would […]
A recent article tells the astonishing story about theatre majors who were unable to act out flirting: “Accustomed to soliciting one another via text, and more used to hookups than dates, this verb was no longer a touchstone for college students, and ‘flirting’ did not elicit any specific physical or emotional behaviors (sustained eye contact, light touch, smiling, playfulness) from […]
I would encourage anyone with an interest in poetry to check out the work of Daniel Paul Marshall. He has kindly allowed a handful of his poems to appear below, but many more are available at his website. Originally from England, he now lives on Jeju Island, Korea, where he runs a café and guesthouse which he built with his […]
My recent post about Thomas Wolfe elicited a handful of comments like, “I loved to read him when I was young, but as I get older he no longer holds up.” My own versions of Wolfe are people like Hesse and Dostoevsky, but Kafka has remained one of those authors I latched onto in high school who has never lost […]
On this anniversary of Thomas Wolfe’s death, I’m reminded that every few years I turn around and he’s there again. Whether in influencing Ferlinghetti or Kerouac, or anecdotes about his editor Maxwell Perkins trying to beat his holy mess novels into some more coherent shape, or just his own troubled life, Thomas Wolfe always shows up. I still haven’t read […]
The following essay was published in the New Criterion in February, 1993, and reflects a view of American poetry from at least the 1970s forward. It’s quite depressing to read this two decades later, since the status of poetry as a subculture can’t help but be worse than it was then, and worse in part because the technology noted as […]
from George Herbert’s poem, “The Flower”: And now in age I bud again, After so many deaths I live and write; I once more smell the dew and rain, And relish versing: O my only light, It cannot be That I am he On whom thy tempests fell all night.
Here’s one of the great moments in poetry: Canto 27 of Dante’s Purgatorio, where Dante passes through the fire, and Virgil crowns him on their way up to the summit of Mount Purgatory. This taken from the translation of Allen Mandelbaum, and the Digital Dante site at Columbia University. *** Just as, there where its Maker shed His blood, the […]
Here’s Seamus Heaney, first talking about his poems on the bog bodies of Iron Age Europe, in Dennis O’Driscoll’s Stepping Stones, and then the bog poems themselves, spanning three of his collections: Wintering Out, North, and District and Circle. Also, since I hope to do a post on the bog bodies at some point, interested readers would do well to […]
I’d like to say that after Four Quartets, I don’t know of another long poem from the last century that’s meant as much to me as Allen Ginsberg’s elegy for his mother, Kaddish for Naomi Ginsberg, 1894-1956. But it’s so powerful that even describing it as a poem seems silly: it really doesn’t matter what you call it, as it […]
Here are a few pieces from seventeenth-century poet Henry Vaughan. Going through The Penguin Book of Renaissance Verse, the usual names stuck out, but Vaughan seemed to run past most of them. Trying to place him, he strikes me very nearly as a forerunner of William Blake in the visionary quality of his unexpected rhythms. I’ve seen him placed a […]
It has always seemed significant to me that, at the beginning of the first and the end of the last edition of his great book of poems, Walt Whitman gives us a long essay in prose. I thought to only give selections of them, but it is impossible to edit Whitman, to put a stopper in one of his sentences […]
It has always seemed significant to me that, at the beginning of the first and the end of the last edition of his great book of poems, Walt Whitman gives us a long essay in prose. I thought to only give selections of them, but it is impossible to edit Whitman, to put a stopper in one of his sentences […]
Is there anything better than T. S. Eliot talking about his debt to Dante? Here is the majority of his famous essay “What Dante Means to Me” (hence my own “What Eliot Means to Me”), which can be found in his collection of essays, To Criticize the Critic and Other Writings. The essay was originally presented as a speech given […]
Here are some bits on writing, nature, and anonymous everyday life from Wallace Stevens, that quiet murmur of American poetry who may well outlast nearly everybody. The following are from his letters and journals, from 1898 to 1955, only a few months before his death at seventy-five. That a poet so technically isolated (and gladly so) from all the clichés […]
(photo from the LG/WBY Heritage Trail) In the single-volume Autobiographies of W. B. Yeats, which collects all of Yeats’s autobiographical writings from throughout his life, the great Irish poet mentions the memoirs of one John O’Leary. O’Leary was apparently taking his good old time at it, writing “passages for his memoirs upon postcards and odd scraps of paper, taking immense […]
Too much to choose from, but here’s some classic bits from James Joyce that are always worth keeping in mind: On Writing: “Don’t you think there is a certain resemblance between the mystery of the Mass and what I am trying to do? I mean that I am trying in my poems to give people some kind of intellectual pleasure […]
Diary of the Dark Years, 1940-1944: Collaboration, Resistance, and Daily Life in Occupied Paris, by Jean Guéhenno Guéhenno bio A selection from one of the best documents of occupation during wartime, and one of my favorite diaries of a writer: [Guéhenno, on how he was a pacifist after WWI, but not after WWII started] I will never believe that men […]
Albert Camus: Notebooks, 1935 – 1951 Volume 1: 1935-1942 What I mean is this: that one can, with no romanticism, feel nostalgic for lost poverty. A certain number of years lived without money are enough to create a whole sensibility. 3 It is in this life of poverty, among these vain or humble people, that I have most certainly touched […]
Entries in the Anthology series organize my favorite anecdotes about artists, writers, and historical events, and are always being updated. While I love and depend on the exhaustive biography or study, in many ways the disconnected stories and fragments have been more important in my day-to-day living with art, literature and history. As such, nothing original is assumed here, and […]
Entries in the Anthology series organize my favorite anecdotes about artists, writers, and historical events, and are always being updated. While I love and depend on the exhaustive biography or study, in many ways the disconnected stories and fragments have been more important in my day-to-day living with art, literature and history. As such, nothing original is assumed here, and […]
Entries in the Anthology series organize my favorite anecdotes about artists, writers, and historical events, and are always being updated. While I love and depend on the exhaustive biography or study, in many ways the disconnected stories and fragments have been more important in my day-to-day living with art, literature and history. As such, nothing original is assumed here, and […]
I’ve relied on many translators and scholars in the writing of To the House of the Sun, and over the years I’ve been lucky enough to correspond with a few of them. Their specialties vary widely—Greek religion, Hinduism/Indo-European studies, Egyptology, Arthurian romance, etc.—and it seems that their enthusiasm and love for language, history, and religion are worth sharing. Especially since […]
(for Eliot’s essay “What Dante Means to Me,” go here) I. Late in life, T. S. Eliot hoped the essays of his that would last would be those “appreciations of individual authors,” saying he had written best “about writers who have influenced my own poetry.”[1] He had come a long way from the essays written in his youth, essays famously […]
