Edgar Lee Masters (1868-1950)
One way to understand where poetry is now is to see where it was a hundred years ago. Every Wednesday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here.
from Spoon River Anthology:
You praise my self-sacrifice, Spoon River,
In rearing Irene and Mary,
Orphans of my older sister!
And you censure Irene and Mary
For their contempt for me!
But praise not my self-sacrifice,
And censure not their contempt;
I reared them, I cared for them, true enough! –
But I poisoned my benefactions
With constant reminders of their dependence.
I am Minerva, the village poetess,
Hooted at, jeered at by the Yahoos of the street
For my heavy body, cock-eye, and rolling walk,
And all the more when “Butch” Weldy
Captured me after a brutal hunt.
He left me to my fate with Doctor Meyers;
And I sank into death, growing numb from the feet up,
Like one stepping deeper and deeper into a stream of ice.
Will some one go to the village newspaper,
And gather into a book the verses I wrote? –
I thirsted so for love
I hungered so for life!
A. D. Blood
If you in the village think that my work was a good one,
Who closed the saloons and stopped all playing at cards,
And haled old Daisy Fraser before Justice Arnett,
In many a crusade to purge the people of sin;
Why do you let the milliner’s daughter Dora,
And the worthless son of Benjamin Pantier
Nightly make my grave their unholy pillow?
To be able to see every side of every question;
To be on every side, to be everything, to be nothing long;
To pervert truth, to ride it for a purpose,
To use great feelings and passions of the human family
For base designs, for cunning ends,
To wear a mask like the Greek actors –
Your eight-page paper – behind which you huddle,
Bawling through the megaphone of big type:
“This is I, the giant.”
Thereby also living the life of a sneak-thief,
Poisoned with the anonymous words
Of your clandestine soul.
To scratch dirt over scandal for money,
And exhume it to the winds for revenge,
Or to sell papers,
Crushing reputations, or bodies, if need be,
To win at any cost, save your own life.
To glory in demoniac power, ditching civilization,
As a paranoiac boy puts a log on the track
And derails the express train.
To be an editor, as I was.
Then to lie here close by the river over the place
Where the sewage flows from the village,
And the empty cans and garbage are dumped,
And abortions are hidden.
I was just turned twenty-one,
And Henry Phipps, the Sunday-school superintendent,
Made a speech in Bindle’s Opera House.
“The honor of the flag must be upheld,” he said,
“Whether it be assailed by a barbarous tribe of Tagalogs
Or the greatest power in Europe.”
And we cheered and cheered the speech and the flag he waved
As he spoke.
And I went to the war in spite of my father,
And followed the flag till I saw it raised
By our camp in a rice field near Manila,
And all of us cheered and cheered it.
But there were flies and poisonous things;
And there was the deadly water,
And the cruel heat,
And the sickening, putrid food;
And the smell of the trench just back of the tents
Where the soldiers went to empty themselves;
And there were the whores who followed us, full of syphilis;
And beastly acts between ourselves or alone,
With bullying, hatred, degradation among us,
And days of loathing and nights of fear
To the hour of the charge through the steaming swamp,
Following the flag,
Till I fell with a scream, shot through the guts.
Now there’s a flag over me in
Spoon River. A flag!
I was Willie Metcalf.
They used to call me “Doctor Meyers,”
Because, they said, I looked like him.
And he was my father, according to Jack McGuire.
I lived in the livery stable,
Sleeping on the floor
Side by side with Roger Baughman’s bulldog,
Or sometimes in a stall.
I could crawl between the legs of the wildest horses
Without getting kicked – we knew each other.
On spring days I tramped through the country
To get the feeling, which I sometimes lost,
That I was not a separate thing from the earth.
I used to lose myself, as if in sleep,
By lying with eyes half-open in the woods.
Sometimes I talked with animals – even toads and snakes –
Anything that had an eye to look into.
Once I saw a stone in the sunshine
Trying to turn into jelly.
In April days in this cemetery
The dead people gathered all about me,
And grew still, like a congregation in silent prayer.
I never knew whether I was a part of the earth
With flowers growing in me, or whether I walked –
Now I know.