20th Century Poetry #19: Louis MacNeice
Louis MacNeice (1907-1963)
One way to understand where poetry is now is to see where it was a hundred years ago. Every Wednesday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here.
Envying and despising unreflective things
Finding pathos in dogs and undeveloped handwriting
And young girls doing their hair and all the castles of sand
Flushed, by the children’s bedtime, level with the shore.
To be always stressing either its flux or its permanence,
I do not want to be a tragic or philosophic chorus
But to keep my eye only on the nearer future
And after that let the sea flow over us.
Join hands and make believe that joined
Hands will keep away the wolves of water
Who howl along our coast. And be it assumed
That no one hears them among the talk and laughter.
The room was suddenly rich and the great bay-window was
Spawning snow and pink roses against it
Soundlessly collateral and incompatible:
World is suddener than we fancy it.
World is crazier and more of it than we think,
Incorrigibly plural. I peel and portion
A tangerine and spit the pips and feel
The drunkenness of things being various.
And the fire flames with a bubbling sound for world
Is more spiteful and gay than one supposes –
On the tongue on the eyes on the ears in the palms of one’s hands –
There is more than glass between the snow and the huge roses.
from Autumn Journal
The autopsy of treaties, dynamite under the bridges,
The end of laissez faire.
After the warm days the rain comes pimpling
The paving stones with white
And with the rain the national conscience, creeping,
Seeping through the night.
And in the sodden park on Sunday protest
Meetings assemble not, as so often, now
Merely to advertise some patent panacea
But simply to avow
The need to hold the ditch; a bare avowal
That may perhaps imply
Death at the doors in a week but perhaps in the long run
Exposure of the lie.
Think of a number, double it, treble it, square it,
And sponge it out
And repeat ad lib. and mark the slate with crosses;
There is no time to doubt
If the puzzle really has an answer. Hitler yells on the wireless,
The night is damp and still
And I hear dull blows on wood outside my window;
They are cutting down the trees on Primrose Hill.
The wood is white like the roast flesh of chicken,
Each tree falling like a closing fan;
No more looking at the view from seats beneath the branches,
Everything is going to plan;
They want the crest of this hill for anti-aircraft,
The guns will take the view
And searchlights probe the heavens for bacilli
With narrow wands of blue.
And the rain came on as I watched the territorials
Sawing and chopping and pulling on ropes like a team
In a village tug-of-war; and I found my dog had vanished
And thought “This is the end of the old regime,”
But found the police had got her at St. John’s Wood station
And fetched her in the rain and went for a cup
Of coffee to an all-night shelter and heard a taxi-driver
Say “It turns me up
When I see these soldiers in lorries” – rumble of tumbrils
Drums in the trees
Breaking the eardrums of the ravished dryads –
It turns me up; a coffee, please.
And as I go out I see a windscreen-wiper
In an empty car
Wiping away like mad and I feel astounded
That things have gone so far.
And I come back here to my flat and wonder whether
From now on I need take
The trouble to go out choosing stuff for curtains
As I don’t know anyone to make
Curtains quickly. Rather one should quickly
Stop the cracks for gas or dig a trench
And take one’s paltry measures against the coming
Of the unknown Uebermensch.
Involving principle but bound in fact
To squander principle in panic and self-deception –
Accessories after the act,
So that all we foresee is rivers in spate sprouting
With drowning hands
And men like dead frogs floating till the rivers
Lose themselves in the sands.
And we who have been brought up to think of “Gallant Belgium”
As so much blague
Are now preparing again to essay good through evil
For the sake of Prague;
And must, we suppose, become uncritical, vindictive,
And must, in order to beat
The enemy, model ourselves upon the enemy,
A howling radio for our paraclete.
The night continues wet, the axe keeps falling,
The hill grows bald and bleak
No longer one of the sights of London but maybe
We shall have fireworks here by this day week.
Grey brick upon brick,
On sombre pedestals –
O’Connell, Grattan, Moore –
And the brewery tugs and the swans
On the balustraded stream
And the bare bones of a fanlight
Over a hungry door
And the air soft on the cheek
And porter running from the taps
With a head of yellow cream
And Nelson on his pillar
Watching his world collapse.
This was never my town,
I was not born nor bred
Nor schooled here and she will not
Have me alive or dead
But yet she holds my mind
With her seedy elegance,
With her gentle veils of rain
And all her ghosts that walk
And all that hide behind
Her Georgian facades –
The catcalls and the pain,
The glamour of her squalor,
The bravado of her talk.
The lights jig in the river
With a concertina movement
And the sun comes up in the morning
Like barley-sugar on the water.
And the mist on the Wicklow hills
Is close, as close
As the peasantry were to the landlord,
As the Irish to the Anglo-Irish,
As the killer is close one moment
To the man he kills,
Or as the moment itself
Is close to the next moment.
She is not an Irish town
And she is not English,
Historic with guns and vermin
And the cold renown
Of a fragment of Church latin,
Of an oratorical phrase.
But oh the days are soft,
Soft enough to forget
The lesson better learnt,
The bullet on the wet
Streets, the crooked deal,
The steel behind the laugh,
The Four Courts burnt.
Fort of the Dane,
Garrison of the Saxon,
Of a Gaelic nation,
The alien brought,
You give me time for thought
And by a juggler’s trick
You poise the toppling hour –
O greyness run to flower,
Grey stone, grey water,
And brick upon grey brick.
Categories: 20th Century Poetry