Poetry, Religion, History and Art
From Mark Cohen’s Under Crescent & Cross: The Jews in the Middle Ages: An aspect of Jewish-gentile sociability under Islam that seems to lack a counterpart in the Jewish-Christian world is the world of shared popular religious practices… particularly in the joint worship of saints. Here, interdenominational religiosity has its basis in the fact that […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Autumn There is […]
from David Carr’s book on literacy and the creation of literature in the ancient world: … many ancient texts were not written in such a way that they could be read easily by someone who did not already known them well. Indeed, classicists long ago noted that the oldest Greek manuscripts, written as they are […]
As I’ve written elsewhere: “Except for his earliest work, there were no grand subjects in Vermeer, and very little else but a room and a window; tiled floor and tapestries and carpeted tables; maps and light and exactitude; liquid, lace, poured milk, lute strings and the weighing of pearls; the reproduction by brush and color […]
A drawing from 2015 that I suddenly found again today:
For some reason the Mérode Altarpiece, painted in the late 1420s by Robert Campin, has become an obsession of mine. I can look at it for hours, and its strangeness never ends. Better than any TV show, I’ve found one of the best uses of a flat-screen is putting the Mérode up on it, and […]
Below are a few dozen voices from the early twentieth century, culled from Philipp Blom’s The Vertigo Years: Europe, 1900-1914. In an almost uncanny way their concerns aren’t much different than ours: there’s worry over the spread of new technology and its invasion into and cheapening of everyday life; a deep paranoia over changes in […]
No matter how poor he got, and no matter what of his belongings he had to sell to get by, William Blake always held onto a print of Albrecht Dürer’s 1514 work, Melencolia I; it was found in his workroom when he died. And so it is worth looking in detail, again and again, at […]
When, in 1522, Martin Luther agreed to a staged kidnapping that would keep him safe from Catholic and other authorities, he soon found himself out of danger, but also bored to tears. Hiding out in castle called the Wartburg, near Eisenach, he soon admitted, “I sit here idle and drunk all day long.” Thomas Cahill […]
The Austrian artist Egon Schiele’s brutal self-portraits, many dating from before World War One, seem to presage all the carnage and atrocity and alienation that was to come. As more famous artists from the time look terribly dated today, Shiele seems like he could still be working right now: Egon Schiele – Self Portrait (1911)
Among the earliest photos taken of Paris were those of Eugène Atget, beginning in the late 1800s. Here is only a sample:
I first came across Claude Lorrain’s fantasies of classical Greece and Rome on the cover of an old paperback of the Aeneid. These are my favorites, but there are many more of them here. Click on each image to enlarge:
It’s too bad Nicholas Poussin’s Shepherds of Arcady/Et in Arcadia (Even in Arcadia, there am I) can’t get much attention except as a link to the Holy Blood-Holy Grail/Dan Brown stories. It’s magnificent enough on its own. You can also read more about it, including the conspiracy stuff, here. Click on the painting to enlarge: […]
from Thomas Cahill’s Heretics and Heroes: In a collection of travel essays published in 1925, Aldous Huxley had called Piero [della Francesca’s] Resurrection, the fresco that decorates the Museo Civico of Sansepolcro, “the greatest picture in the world.” In the last days of World War II, as British soldiers began shelling Nazi-occupied Sansepolcro with the […]
From Primo Levi’s 1986 book, The Drowned and the Saved, remembering the concentration camps: On Levi’s own—and others’—guilt at having survived the concentration camps: At a distance of years one can today definitely affirm that the history of the Lagers [from Konzentrationslager, concentration camp] has been written almost exclusively by those who, like myself, never […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. Insensibility I Happy […]
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each picture to enlarge, or watch the video:
Click on each image to enlarge, or watch the video:
Click on the image to enlarge, or watch the video:
After rattling off the usually long list of reasons why the God of the Hebrew Bible is everything from in a bad mood to gleefully sadistic, Donald Akenson provides one of my favorite paragraphs from any book on the history of religion, and the great difficulties of belief: But not liking Yahweh is irrelevant. The […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. It’s nearly impossible to […]
One of the great jazz standards of Medieval & Renaissance art, here’s only a selection of all the depictions of St. Jerome: studying indoors or out, with or without his lion or skull, probably translating the Bible as he goes, reading or writing always. All a good excuse for artists to place him in contemporary […]
At least for me, John Singer Sargent’s “The Daughters of Edward Darley Boit” is one of the more haunting paintings. What it appears to say about family, isolation, childhood, the lives of women and girls, and perhaps even the deleterious effects of being rich, seem quite endless. And the history of each of the girls’ […]
The way I heard it, Salvador Dali saw a reproduction of Millet’s Angelus in his classroom during childhood, and it became one of his great personal images: Jean-Francois Millet – The Angelus (1857-1859) Salvador Dali – Archeological Reminiscence of Millet’s Angelus (1935) Salvador Dali – Atavism of Twilight (1933-1934) Salvador Dali – Gala and The […]
At an antique store a few years ago, I spent $10 on an envelope of old photos. I love to imagine their stories, and thought others might too. And perhaps someone out there knows them? Click on the slideshow to begin:
Read the other Great Myths here Then spoke Gangleri: “Where is the chief center or holy place of the gods?” High replied: “It is at the ash Yggdrasil. There the gods must hold their courts each day.” Then spoke Gangleri: “What is there to tell about that place?” Then said Just-as-high: “The […]
One way to understand where poetry is now is to see where it was a hundred years ago. Every Saturday I’ll be posting not the best, but at least the most representative, poems from the last century, where we can see poetry constantly changing. You can read the other entries here. John Squire’s poem about […]
Tim Miller 
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